壓迫與反抗—多麗絲·萊辛《野草在歌唱》的后殖民生態(tài)主義研究
發(fā)布時(shí)間：2024-05-16 23:42
多麗絲·萊辛是英國(guó)當(dāng)代著名的小說(shuō)家、詩(shī)人、劇作家,被譽(yù)為是“繼伍爾芙之后最偉大的女作家”。萊辛一生創(chuàng)作無(wú)數(shù),其作品主題涵蓋廣泛囊括了包括性別,社會(huì),生態(tài)等在內(nèi)的種種類型,并于2007年榮膺諾貝爾文學(xué)獎(jiǎng),成為歷史上第11位獲此殊榮的女性作家,同時(shí)也是迄今為止最年長(zhǎng)的諾貝爾文學(xué)獎(jiǎng)獲得者。萊辛的處女作《野草在歌唱》發(fā)表于1950年,彼時(shí)正值世界各地民族解放和獨(dú)立運(yùn)動(dòng)如火如荼之際,因此這部以反對(duì)殖民主義為主題的小說(shuō)一經(jīng)發(fā)表就引起了極大的關(guān)注。該小說(shuō)講述的是白人女性瑪麗在南非的成長(zhǎng)和生活經(jīng)歷,通過(guò)對(duì)女主人公悲劇命運(yùn)的描寫,萊辛揭露了不同種族、不同階級(jí)人與人之間的自私自利的關(guān)系并為讀者呈現(xiàn)了非洲大地所遭受的破壞性殖民開發(fā)�！兑安菰诟璩肥嵌帑惤z·萊辛的首部作品,在萊辛研究中具有重要的意義。盡管小說(shuō)自發(fā)表之日就備受關(guān)注,但相關(guān)研究多是從殖民主義及女性主義方面展開,并未將萊辛描繪的大量非洲環(huán)境問(wèn)題予以結(jié)合。但實(shí)際上,小說(shuō)中的生態(tài)問(wèn)題有其更深層次的意義,而后殖民生態(tài)理論正是有助于深入探究其隱藏含義的適用理論。因此本文將以近年來(lái)國(guó)內(nèi)外專家學(xué)者對(duì)作者本人及其相關(guān)作品的研究為基礎(chǔ),通過(guò)運(yùn)用后殖民生態(tài)批評(píng)理論對(duì)...
【文章頁(yè)數(shù)】：70 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Abstract
摘要
Introduction
0.1 A Brief Introduction of Doris Lessing and The Grass Is Singing
0.2 Literature Review
0.3 Theoretical Basis..Postcolonial Ecocriticism
Chapter One Economic and Ecological Oppression by White Colonialists
1.1 Economic Oppression by White Colonialists
1.1.1 Turning South Africa into a Provider of Raw Material
1.1.2 Turning South Africa into a Manufacture Base
1.1.3 Turning South Africa into a Dumping Ground of Britain
1.2 Ecological Oppression by White Colonialists
1.2.1 Charlie’s Abuse of the Farmland
1.2.2 The Turners’ Different Attitudes toward the Land
Chapter Two Oppression and Alienation in Human World
2.1 The Oppression of the Natives by White Colonialsm
2.1.1 White Farmer’s Maltreatment of the Natives
2.1.2 Mary Turner’s Prejudice against the Natives
2.1.3 Government’s Hegemony of the Natives
2.2 Alienation within the White World
2.2.1 Indifferent Spousal Relationships
2.2.2 Indifferent Neighborhood Relationships
Chapter Three Resistance Reflected in The Grass Is Singing
3.1 Nature’s Revenge on Humans
3.2 The Black’s Resistance to the White
3.3 The Poor’s Rejection of the Rich
Conclusion
Bibliography
Acknowledgements
本文編號(hào)：3975077
【文章頁(yè)數(shù)】：70 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Abstract
摘要
Introduction
0.1 A Brief Introduction of Doris Lessing and The Grass Is Singing
0.2 Literature Review
0.3 Theoretical Basis..Postcolonial Ecocriticism
Chapter One Economic and Ecological Oppression by White Colonialists
1.1 Economic Oppression by White Colonialists
1.1.1 Turning South Africa into a Provider of Raw Material
1.1.2 Turning South Africa into a Manufacture Base
1.1.3 Turning South Africa into a Dumping Ground of Britain
1.2 Ecological Oppression by White Colonialists
1.2.1 Charlie’s Abuse of the Farmland
1.2.2 The Turners’ Different Attitudes toward the Land
Chapter Two Oppression and Alienation in Human World
2.1 The Oppression of the Natives by White Colonialsm
2.1.1 White Farmer’s Maltreatment of the Natives
2.1.2 Mary Turner’s Prejudice against the Natives
2.1.3 Government’s Hegemony of the Natives
2.2 Alienation within the White World
2.2.1 Indifferent Spousal Relationships
2.2.2 Indifferent Neighborhood Relationships
Chapter Three Resistance Reflected in The Grass Is Singing
3.1 Nature’s Revenge on Humans
3.2 The Black’s Resistance to the White
3.3 The Poor’s Rejection of the Rich
Conclusion
Bibliography
Acknowledgements
本文編號(hào)：3975077
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