文化創(chuàng)傷可以被視為是社會集體的群體性記憶創(chuàng)傷。原有的社會結(jié)構(gòu)被可怕的事件所破壞,集體認(rèn)同發(fā)生永久性的轉(zhuǎn)變和調(diào)整。文化創(chuàng)傷不僅僅是一個(gè)孤立的事件,更是一個(gè)社會過程,包括確認(rèn)創(chuàng)傷性質(zhì),明確受害者和加害者,界定責(zé)任,再現(xiàn)創(chuàng)傷,并且使創(chuàng)傷慣例化。借由構(gòu)建文化創(chuàng)傷,某個(gè)社會群體甚至是整個(gè)社會在認(rèn)知上認(rèn)同人類苦難的存在,并且分擔(dān)社會內(nèi)他人的情緒、痛苦和責(zé)任。一種強(qiáng)制性的需求驅(qū)使人們?nèi)ブ貧v這個(gè)事件并從中得到解脫,因此文化創(chuàng)傷再現(xiàn)是一個(gè)十分重要的部分。文化創(chuàng)傷再現(xiàn)形式多樣,本文將重點(diǎn)關(guān)注文學(xué)作品,電影和官方行為的創(chuàng)傷再現(xiàn)。而文化創(chuàng)傷最終將被解構(gòu),它會內(nèi)化為集體記憶和集體認(rèn)同。一戰(zhàn)后,年輕人遭受了嚴(yán)重的創(chuàng)傷,并由此產(chǎn)生了迷惘的一代。他們的作品深刻揭示了戰(zhàn)后西方世界普遍的異化感和幻滅感,表達(dá)了戰(zhàn)爭的殘酷和對戰(zhàn)爭的譴責(zé)。由戰(zhàn)爭引起的尖銳的社會矛盾和嚴(yán)重的精神危機(jī)在他們的作品中得到了真實(shí)的反映。通過在文學(xué)作品中再現(xiàn)一戰(zhàn)造成的文化創(chuàng)傷,作者的情緒得以紓解,讀者們可以認(rèn)同并共同承擔(dān)文化創(chuàng)傷,文化創(chuàng)傷也得以消解。越戰(zhàn)對美國人來說無疑是具有重大影響的文化創(chuàng)傷。一批導(dǎo)演和編劇通過電影再現(xiàn)了他們親歷的越戰(zhàn),這些影片比較客...

【文章頁數(shù)】：65 頁

【學(xué)位級別】：碩士

【文章目錄】：
Abstract
摘要
Acknowledgements
Chapter One Introduction
    1.1 Background of the Research
    1.2 Significance of the Research
    1.3 Structure of the Thesis
Chapter Two Literature Review
    2.1 Cultural Trauma
        2.1.1 Cultural Trauma theory
        2.1.2 The Social Process of Cultural Trauma
    2.2 Foreign and Domestic Studies on Cultural Trauma
        2.2.1 Foreign Studies on Cultural Trauma
        2.2.2 Domestic Studies on Cultural Trauma
    2.3 Theory of Deconstruction
    2.4 Foreign and Domestic Studies on the Theory of Deconstruction
        2.4.1 Foreign Studies on the Theory of Deconstruction
        2.4.2 Domestic Studies on the Theory of Deconstruction
Chapter Three Deconstruction of Cultural Trauma through Literature-Lost Generation as a Case Study
    3.1 Construction of Cultural Trauma Caused by World War Ⅰ
    3.2 Representation of Cultural Trauma through Literature
    3.3 Deconstruction of Cultural Trauma Caused by World War Ⅰ
Chapter Four Deconstruction of Cultural Trauma through Films—the Vietnam War as a Case Study
    4.1 Construction of Cultural Trauma caused by the Vietnam War
    4.2 Representation of Cultural Trauma through Films
    4.3 Deconstruction of Cultural Trauma Caused by the Vietnam War
Chapter Five Deconstruction of Cultural Trauma through Official Actions—the 9/11 Attacks as a Case Study
    5.1 Construction of Cultural Trauma Caused by 9/11 Attacks
    5.2 Representation of Cultural Trauma through Official Actions
    5.3 Deconstruction of Cultural Trauma Caused by the 9/11 Attacks
Chapter Six Conclusion
Bibliography



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