【摘要】：作為歷史編撰元小說的一個(gè)次文類,“新維多利亞小說”從主題上和形式上對(duì)維多利亞文學(xué)進(jìn)行戲仿,問題化地對(duì)維多利亞時(shí)代的社會(huì)文化景觀進(jìn)行了再現(xiàn)和重構(gòu)。以A.S.拜厄特和薩拉·沃特斯為首的當(dāng)代英國女作家所創(chuàng)作的“新維多利亞小說”突出了對(duì)女性生存體驗(yàn)的挖掘和描繪,構(gòu)筑和承載了維多利亞文化記憶。在對(duì)文化記憶的構(gòu)筑過程中,“新維多利亞小說”采取了后現(xiàn)代戲仿的手法,為文化記憶增添了新的維度�！靶戮S多利亞小說”的歷史敘事同時(shí)也是“幽靈書寫”,成為建構(gòu)文化記憶的要素。
[Abstract]:As a sub-genre of historical compilation of metafiction, New Victorian Fiction parody of Victorian literature in theme and form, and reproduces and reconstructs the social and cultural landscape of Victorian era. A. S. New Victorian Fiction by the contemporary British women writers led by Byatt and Sarah Waters highlights the excavation and depiction of women's survival experience and constructs and carries Victoria's cultural memory. In the process of constructing cultural memory, New Victorian Fiction adopts postmodern parody, which adds a new dimension to cultural memory. The historical narration of New Victorian Fiction is also a ghost writing, which becomes the element of constructing cultural memory.
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