【摘要】：加拿大著名作家瑪格麗特·阿特伍德在《使女的故事》中創(chuàng)造了一個(gè)尊奉原教旨主義的教權(quán)國(guó)家基列國(guó)�；袊�(guó)是20世紀(jì)60—70年代西方世界激進(jìn)變革運(yùn)動(dòng)及80年代保守轉(zhuǎn)向在文學(xué)世界中的回響,它不僅涉及到男女平權(quán)和生態(tài)環(huán)境問(wèn)題,更關(guān)涉到"現(xiàn)代社會(huì)"所顯現(xiàn)出的"自然狀態(tài)"帶給人類的"自由"重?fù)?dān),以及其作為"風(fēng)險(xiǎn)社會(huì)"的令人望而生畏之處;基列國(guó)極度抗拒現(xiàn)代社會(huì)的工業(yè)化基底與無(wú)限索求的觀念,并挖掘了人類面對(duì)"自由""風(fēng)險(xiǎn)"時(shí)產(chǎn)生的孤獨(dú)與不安全感,重塑了政權(quán)性質(zhì)、社會(huì)階層、兩性關(guān)系等,顛覆了現(xiàn)代社會(huì)。但《使女的故事》顯示,原教旨主義式的利維坦國(guó)度絕非現(xiàn)代社會(huì)的理想替代物。
[Abstract]:Margaret Atwood, a famous Canadian writer, created a fundamentalist nation in the Story of the maid. In the 1960s and 1970s, the radical change movement in the western world and the conservative turn in the 1980s echoed in the literary world. It not only involves the equal rights of men and women and the ecological environment. It is also concerned with the burden of "freedom" brought to mankind by the "natural state" shown by "modern society" and its formidable place as a "risk society". The basic countries were extremely resistant to the industrialization base of modern society and the concept of unlimited demand, and excavated the loneliness and insecurity of human beings when faced with "freedom" and "risk", and reshaped the nature of political power, social stratum, gender relations, etc. Subverted modern society. But the story of the maids shows that fundamentalist Leviathan is no ideal substitute for modern society.
【作者單位】： 四川大學(xué)文學(xué)與新聞學(xué)院;
【基金】：國(guó)家社會(huì)科學(xué)基金后期資助項(xiàng)目“20世紀(jì)西方反烏托邦小說(shuō)研究”(16FWW005)
【分類號(hào)】：I711.074
，

本文編號(hào)：2137926