本文選題：品特戲劇 + 施暴者��； 參考：《戲劇藝術(shù)》2017年02期

【摘要】：哈羅德·品特戲劇中充滿著各種各樣的暴力行為,這些暴力實(shí)施者也因此構(gòu)成其筆下所刻畫的重要人物類型之一。這些人物之所以會(huì)成為殘酷無情的施暴者,主要原因是社會(huì)強(qiáng)權(quán)機(jī)構(gòu)通過洗腦、監(jiān)視、肉體懲罰等多種規(guī)訓(xùn)手段對(duì)其進(jìn)行了強(qiáng)有力的改塑;但是在被建構(gòu)的過程中,這些個(gè)體的順從甚至配合也是不可忽視的重要因素。可以說,這些施暴者的身份是強(qiáng)權(quán)機(jī)構(gòu)的有力改塑和受訓(xùn)者的被動(dòng)配合共同作用的結(jié)果,藉此我們可以洞察個(gè)體和社會(huì)機(jī)構(gòu)之間的復(fù)雜關(guān)系以及人性的弱點(diǎn)。
[Abstract]:Harold Pinter's plays are full of all kinds of violence, and the perpetrators of violence constitute one of the important characters in his works. The main reason why these characters have become ruthless perpetrators is that social power institutions have made powerful changes to them through various means of brainwashing, surveillance, physical punishment, and so on; but in the process of being constructed, The obedience and even cooperation of these individuals are important factors that can not be ignored. It can be said that the identity of these aggressors is the result of the joint action of the powerful forces of the powerful institutions and the passive cooperation of the trainees, by which we can gain insight into the complex relationship between individuals and social institutions and the weakness of human nature.
【作者單位】： 中南財(cái)經(jīng)政法大學(xué)外國語學(xué)院;
【基金】：教育部人文社會(huì)科學(xué)研究基金青年項(xiàng)目《品特戲劇中的身份問題研究》(項(xiàng)目編號(hào):14YJC752020)的階段性研究成果
【分類號(hào)】：I561.073

【相似文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 陳亞民;亨利�！ぢ≌f《臣仆》中的暴力研究[D];四川外國語大學(xué);2016年

，

本文編號(hào)：2108069