本文選題：翟錦 + 詩(shī)歌　； 參考：《文學(xué)教育(下)》2017年01期

【摘要】：翟錦的詩(shī),是典型的女性詩(shī)人的詩(shī)。它們是柔軟的、小心翼翼的,同時(shí)也是質(zhì)樸的、充滿(mǎn)誠(chéng)意的。同樣,薩福的詩(shī)作也是女性詩(shī)作的典范,一股仿佛來(lái)自本能的傾訴欲望與浪漫化的特征籠罩了她的詩(shī)作,使之坦率而優(yōu)美,灑脫卻輕盈。在體裁上,二者的大部分詩(shī)歌都屬于短詩(shī);在技法上,二者都擅長(zhǎng)于創(chuàng)作充滿(mǎn)女性情懷的抒情詩(shī)。這些相似的特征令兩位女詩(shī)人雖處于完全不同的時(shí)代與地域環(huán)境中,卻有著極大的可比性,從而給予了我們借由這些相似性來(lái)探討差異性的可能。
[Abstract]:The poems of Zhai Jin are typical poems of female poets. They are soft, meticulous, simple and sincere. Likewise, the poems of SARF are also a model of women's poetry. Most of the poems of the two belong to short poems; in the techniques, the two are good at creating lyric poems full of feminine feelings. These similar features make the two women poets in a completely different era and regional environment, but have great comparability, which gives us the possibility to explore the difference by these similarities.
【作者單位】： 武漢大學(xué)文學(xué)院;
【分類(lèi)號(hào)】：I207.25
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本文編號(hào)：2099673