發(fā)布時間：2018-02-27 16:24

  本文關(guān)鍵詞： 古琴 琴制 唐 宋 石汝礪 雷震 張越　出處：《中國音樂》2012年04期 　論文類型：期刊論文

【摘要】：《碧落子斫琴法》是北宋琴人石汝礪所撰寫的一篇有關(guān)斫琴的文獻。在這篇斫琴文獻中,不僅有較為詳盡的宋代古琴琴面、琴背以及槽腹中各部位的相關(guān)尺寸,更為重要的是,其中還保存有唐代斫琴名家雷震、張越之琴的實際尺寸記錄,及其與宋代斫琴尺寸的比對性文獻。本文以中國藝術(shù)研究院音樂研究所藏稽瑞樓抄本為底本,參校國家圖書館藏鐵琴銅劍樓原本,以期揭示唐宋琴制的演變及"唐圓宋扁"的外形變化之中所蘊含的聲學原理。
[Abstract]:The "Biluozi method" is a document written by Shi Ruli, a harp man in the Northern Song Dynasty. In this document, there are not only more detailed aspects of the ancient Qin in the Song Dynasty, but also the relevant dimensions of the various parts of the Qin's back and grooves. More importantly, Among them are the records of the actual dimensions of the famous Qin artists Lei Zhen and Zhang Yue in the Tang Dynasty, and their comparative documents with those of the Song Dynasty. This paper takes the copy of Ji Ruilou of the Institute of Music of the Chinese Academy of Art as the base. In order to reveal the evolution of the Qin system in Tang and Song dynasties and the acoustic principle contained in the changes in the shape of "Tang Yuan and Song flat", the National Library of the United Nations has collected the original building of iron harp and bronze sword.
【作者單位】： 中國音樂學院"中國樂器博物館項目組";
【分類號】：J609.2

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本文編號：1543423