本文關(guān)鍵詞：論“五四”時(shí)期戲劇翻譯的策略及其對(duì)中國(guó)話劇發(fā)展產(chǎn)生的意義，由筆耕文化傳播整理發(fā)布。

論“五四”時(shí)期戲劇翻譯的策略及其對(duì)中國(guó)話劇發(fā)展產(chǎn)生的意義

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《Foreign Languages and Their Teaching》

南京農(nóng)業(yè)大學(xué)外國(guó)語(yǔ)學(xué)院,江蘇南京210095

文章摘要：本文梳理了“五四”時(shí)期戲劇翻譯策略意識(shí)的形成過(guò)程，探究策略選擇背后的戲劇發(fā)生學(xué)原因，同時(shí)通過(guò)個(gè)案分析相應(yīng)的譯本對(duì)中國(guó)現(xiàn)代話劇產(chǎn)生的影響，從而說(shuō)明話劇現(xiàn)代化發(fā)展與民族化趨勢(shì)的共存以及兩者之間的張力�！拔逅摹睍r(shí)期的戲劇翻譯已經(jīng)脫離直覺(jué)的指引，而是在認(rèn)識(shí)不同策略的必要性之后，在明確的目的意識(shí)指引下進(jìn)行翻譯。當(dāng)時(shí)占主流的翻譯策略是直譯，但舞臺(tái)演出又要求使用改譯本。從戲劇發(fā)生學(xué)視角來(lái)看，直譯的劇本為創(chuàng)建話劇新文體提供了范本。演出改譯的劇本則促進(jìn)了穩(wěn)固的話劇觀眾群的形成�！爸弊g”背后蘊(yùn)含的“現(xiàn)代化”趨勢(shì)以及改譯背后的“民族化”動(dòng)力共同存在，，兩者之間存在矛盾和張力，但又互相促進(jìn)。

Abstr：Reviewing the formation of consciousness of the strategies of drama translation in the May Fourth period, this paper explores the underlying reasons for the choice of different strategies, and the impact of the corresponding translations on Chinese modem drama by case studies, to illustrate the coexistence and the tension between the modem development and localization of Chinese spoken drama. In the May-Fourth period, the need for different strategies was recognized generally. Drama translation was guided by a clear sense of translation purposes rather than the intuitive understanding of the acceptance of the audi- ence. In that period, the prevailing strategy was literal translation, but stage performance of foreign dramatic works required adaptation. Literal translations worked as models for the creation of a new literary genre while the performances of adaptations attracted Chinese audience and helped to form a constant audience. Literal translations indicated the tendency of modem development while adaptations indicated the momentum of localization. The tendency of modem development and the momentum of localization co-existed and promoted each other, although there was tension between them.

文章關(guān)鍵詞：

Keyword：:translation strategies new genre audience acceptance domestication

課題項(xiàng)目：本文是江蘇省教育廳高校哲學(xué)社會(huì)科學(xué)研究基金項(xiàng)目“譯介學(xué)視角下的中國(guó)早期話劇研究”（項(xiàng)目編號(hào)：2011SJD760011）和南京農(nóng)業(yè)大學(xué)人文社會(huì)科學(xué)研究基金項(xiàng)目“外國(guó)戲劇譯介與中國(guó)早期話劇”（項(xiàng)目編號(hào)：SK2011014）的階段性成果.

  本文關(guān)鍵詞：論“五四”時(shí)期戲劇翻譯的策略及其對(duì)中國(guó)話劇發(fā)展產(chǎn)生的意義，由筆耕文化傳播整理發(fā)布。