【摘要】：在全球化趨勢的大背景下,如何在“傳統(tǒng)”與“現(xiàn)代”之間找到適當(dāng)?shù)慕粎R點(diǎn),是當(dāng)今建筑設(shè)計(jì)需要面對(duì)的一個(gè)重要課題。自上個(gè)世紀(jì)中葉以來,人們重新把目光轉(zhuǎn)向民居建筑,認(rèn)識(shí)到地方性建筑之美,得以找到真正的、建筑傳統(tǒng)的主軸:廣大民眾所創(chuàng)造出來的傳統(tǒng)。民居建筑不僅與人們的生活聯(lián)系最為密切,而建筑裝飾還最能體現(xiàn)當(dāng)時(shí)的時(shí)代背景以及人們的情感寄托。本文基于民居建筑裝飾這一研究對(duì)象,將研究視角之中的時(shí)代背景與地域分別限定為社會(huì)形態(tài)急速發(fā)生變化的近代中國以及受到西方文化影響最為深刻的廣府地區(qū),并通過文獻(xiàn)研究法、跨學(xué)科研究法、田野調(diào)查法等研究方法對(duì)此課題進(jìn)行深入展開研究分析,力圖為傳統(tǒng)建筑裝飾與現(xiàn)代建筑設(shè)計(jì)之間找到一個(gè)適當(dāng)?shù)慕粎R點(diǎn)。論文的主要內(nèi)容包括對(duì)于廣府地區(qū)地域文化的大背景分析以及敘述了廣府地區(qū)民居建筑的界定與形式,重點(diǎn)研究了廣府地區(qū)近代民居建筑裝飾。本文首先闡述了建筑裝飾的相關(guān)概念,之后分別對(duì)西關(guān)大屋、騎樓建筑以及開平碉樓的建筑形態(tài)與裝飾進(jìn)行詳細(xì)分析。筆者在基于對(duì)廣府地區(qū)的傳統(tǒng)民居建筑裝飾具有深刻了解與認(rèn)識(shí)的情況下,對(duì)建筑裝飾的研究價(jià)值與展望進(jìn)行理論層面的探究,并對(duì)建筑裝飾傳統(tǒng)承襲進(jìn)行深入思考,指出地域性建筑文化在面對(duì)西方建筑文化影響的時(shí)代背景下,地域性傳統(tǒng)建筑裝飾與現(xiàn)代建筑裝飾之間如何承襲與融合等相關(guān)問題。因此,本文指出廣府近代居民建筑裝飾的發(fā)展有著從模仿西方建筑樣式過渡到地域性建筑風(fēng)格構(gòu)建的過程特征,它是作為傳統(tǒng)與現(xiàn)代交匯的起點(diǎn),有著重要的意義;在建筑裝飾上傳承傳統(tǒng)地域性文化元素方面,應(yīng)趨向于由形式化走向形式與空間的組合,并考慮到人、時(shí)間與空間三者之間的聯(lián)系。
[Abstract]:Under the background of globalization, how to find the proper intersection between "tradition" and "modern" is an important subject of architectural design. Since the middle of the last century, people have turned their attention to the residential buildings, realized the beauty of the local buildings, and found the real main axis of the architectural tradition: the tradition created by the broad masses of people. Residential buildings are not only most closely related to people's lives, but also can best reflect the background of the times and people's emotional sustenance. Based on the research object of residential building decoration, this paper limits the background and region of the research angle to modern China with the rapid change of social form and the Guang Fu area, which is the most deeply influenced by western culture. And through the literature research method, the interdisciplinary research method, the field investigation method and so on research method carries on the thorough research analysis to this topic, tries to find a suitable intersection point between the traditional architectural decoration and the modern architectural design. The main contents of this paper include the background analysis of the regional culture in Guangfu area, the definition and form of folk residence architecture in Guangfu area, and the emphasis on the decoration of modern folk residence architecture in Guangfu area. This paper first expounds the related concepts of architectural decoration, and then analyzes in detail the architectural form and decoration of Xiguan House, the garrison building and the Kaiping Diaolu. Based on the deep understanding and understanding of the traditional residential decoration in Guangfu area, the author probes into the research value and prospect of architectural decoration, and deeply considers the inheritance of architectural decoration tradition. It is pointed out that under the background of the influence of western architectural culture, how to inherit and merge the regional traditional architectural decoration and the modern architectural decoration is related to the regional architectural culture in the face of the influence of the western architectural culture. Therefore, this paper points out that the development of modern residential architectural decoration in Guangfu has the process of transition from imitation of western architectural style to regional architectural style, which is the starting point of the intersection of tradition and modern, and has important significance. In the aspect of inheriting the traditional regional cultural elements in architectural decoration, we should tend from formalization to the combination of form and space, and take into account the relationship among people, time and space.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TU241.5

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本文編號(hào)：2185409