【摘要】： 本文通過綜合歸納和大量翔實(shí)的例證，闡述佛教藝術(shù)在中國傳統(tǒng)藝術(shù)中的定位，佛教藝術(shù)對佛教本身的作用，，佛教文化對中國裝飾藝術(shù)的影響與推動。佛教藝術(shù)表現(xiàn)描繪宗教情感，因此沾染了佛教獨(dú)特的情感特性和精神活動方式，表現(xiàn)佛教特有形象，形成了佛教藝術(shù)別具一格的視覺魅力。佛教借助藝術(shù)的表現(xiàn)力，更有效地激發(fā)人們的宗教情感，使虛幻的宗教教義更直觀，更深入人心。分析佛教文化氛圍下，受其宗教思想影響形成的裝飾藝術(shù)，因豐富多彩的宗教元素的托附而形成的獨(dú)特視覺魅力，究其根源，找到通性和規(guī)律，為設(shè)計者和藝術(shù)家提供創(chuàng)作靈感和創(chuàng)作源泉，對設(shè)計方法作可行性探討。本文對佛教裝飾藝術(shù)的主要形式進(jìn)行了介紹，希望讀者不僅能夠從中領(lǐng)略到佛教獨(dú)具的藝術(shù)魅力與審美價值，也能領(lǐng)會到佛教獨(dú)特的內(nèi)在精神。 從佛教石窟造像、經(jīng)變畫形象、佛教吉祥符號等裝飾藝術(shù)形式，解讀佛教藝術(shù)逐步融合東西方文化和藝術(shù)風(fēng)格過程。從設(shè)計手法和藝術(shù)審美規(guī)律解讀佛教如何借助藝術(shù)形式表達(dá)宗教精神的神圣與神秘，佛教獨(dú)特的思想意境與抽象精神的在藝術(shù)上的形成傳達(dá)。設(shè)計是在人與物、主觀與客觀的關(guān)系基礎(chǔ)上著眼的，基因與媒介、觀念與形式、感覺與表現(xiàn)、主體自由化與客體自由化等等的相互結(jié)合相互作用的動態(tài)表現(xiàn)。佛教藝術(shù)傾注了宗教情感，將意境、格調(diào)、情趣融為一體，可以為現(xiàn)代設(shè)計提供意蘊(yùn)與形式高度統(tǒng)一的設(shè)計思路，追求佛教中的“禪意”精神和傳統(tǒng)文化沉淀也是設(shè)計體現(xiàn)民族化與中國特色的老課題。
[Abstract]:Through a comprehensive summary and a large number of detailed examples, this paper expounds the positioning of Buddhist art in Chinese traditional art, the role of Buddhist art in Buddhism itself, and the influence and promotion of Buddhist culture on Chinese decorative art. The expression of Buddhist art depicts religious emotion, so it is contaminated with the unique emotional characteristics and spiritual activity mode of Buddhism, and represents the unique image of Buddhism, which forms the unique visual charm of Buddhist art. With the help of artistic expression, Buddhism can stimulate people's religious feelings more effectively and make the illusory religious doctrine more intuitive and more popular. This paper analyzes the unique visual charm of the decorative art formed by the influence of its religious thoughts under the cultural atmosphere of Buddhism, which is formed by the attachment of rich and colorful religious elements, investigates its root causes, and finds out the commonness and regularity. To provide creative inspiration and creative source for designers and artists, to explore the feasibility of design methods. This paper introduces the main forms of Buddhist decorative art, hoping that readers can not only appreciate the unique artistic charm and aesthetic value of Buddhism, but also understand the unique inner spirit of Buddhism. From the decorative art forms such as Buddhist grottoes statues, painting images and auspicious symbols of Buddhism, this paper interprets the process of the gradual integration of Eastern and Western cultures and artistic styles into Buddhist art. This paper interprets how Buddhism expresses the holiness and mystery of religious spirit with the aid of art form and the unique artistic conception and abstract spirit of Buddhism. Design is based on the relationship between human and object, subjective and objective, gene and medium, concept and form, feeling and expression, subject liberalization and object liberalization and so on. Buddhist art has poured religious emotion into it, combining artistic conception, style and taste into one, which can provide a highly unified design idea of meaning and form for modern design. The pursuit of the spirit of Zen and the sedimentation of traditional culture in Buddhism is also an old subject of design embodying nationalization and Chinese characteristics.
【學(xué)位授予單位】：合肥工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J505

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王巍;;佛教裝飾紋樣與現(xiàn)代平面設(shè)計[J];劍南文學(xué)(經(jīng)典教苑);2013年04期

相關(guān)碩士學(xué)位論文 前2條

1 劉靜;文化自覺在中國圖形設(shè)計中的表現(xiàn)研究[D];山東工藝美術(shù)學(xué)院;2012年

2 蔡文雯;論佛教裝飾紋樣對現(xiàn)代設(shè)計的影響[D];湖北工業(yè)大學(xué);2013年

本文編號：2184939