【摘要】：禪宗美學(xué)思想是宋代陶瓷茶器設(shè)計(jì)美學(xué)特征中最為重要的品質(zhì)之一,其對宋代陶瓷茶具的設(shè)計(jì)思維產(chǎn)生了重要影響。在其發(fā)展過程中,源于禪宗美學(xué)中的精神與氣韻始終流轉(zhuǎn)于其中,折射出宋代茶器高古俊逸、質(zhì)樸自然的天趣之美。同時(shí)亦體現(xiàn)出茶器實(shí)用主義之外的空靈清麗的審美趣味,以及禪宗見色明心的審美意境。本文試圖從茶禪文化的淵源入手,從設(shè)計(jì)學(xué)的角度,以共時(shí)性與歷時(shí)性的研究視角,結(jié)合宋代茶文化、禪宗美學(xué)、陶瓷茶器發(fā)展的三種形態(tài),對宋代茶器的發(fā)展演化過程進(jìn)行了系統(tǒng)性分析。其中重點(diǎn)挖掘宋代茶器中的“茶禪一味”的設(shè)計(jì)之道,以此探尋蘊(yùn)含于器物之中的禪宗美學(xué)思想。通過對宋代茶器設(shè)計(jì)形態(tài),以及其背后所包容的設(shè)計(jì)思想和造物文化的闡釋和分析,來探究其設(shè)計(jì)文化的構(gòu)成形式及思維理念。論文主要從三個(gè)方面來進(jìn)行論述：首先,介紹宋代茶器的整體風(fēng)貌及其發(fā)展特點(diǎn)；其次,針對宋代茶器的設(shè)計(jì)樣式及形態(tài)展開分析。該部分分別從工藝、材質(zhì)、釉色、紋飾、裝飾、功能等方面來對其設(shè)計(jì)方法展開深層次的剖析,并加以概括；同時(shí)針對這些設(shè)計(jì)特點(diǎn)的來源作輔助考察；最后,從宋代茶器的設(shè)計(jì)分析中提煉器物的設(shè)計(jì)思想,分別從象征性、審美性和時(shí)代性這三個(gè)角度來進(jìn)行論述。而通過對宋代茶器設(shè)計(jì)風(fēng)格及思想文化的總結(jié),得出現(xiàn)代產(chǎn)品設(shè)計(jì)應(yīng)注重在立足于自身文化根基的前提之下,對各種文化采取吸收借鑒、兼收并蓄的態(tài)度,以此不斷創(chuàng)造出有文化底蘊(yùn)的創(chuàng)新形態(tài)。
[Abstract]:Zen aesthetic thought is one of the most important qualities in the design of ceramic tea ware in Song Dynasty, which has an important influence on the design thinking of ceramic tea ware in Song Dynasty. In the process of its development, the spirit and charm which originated from Zen aesthetics always circulate in it, which reflects the beauty of natural and natural beauty of the tea vessels of the Song Dynasty. At the same time, it also reflects the empty aesthetic taste of tea utilitarianism and the aesthetic conception of Zen. This paper attempts to start with the origin of tea Zen culture, from the angle of design, from the perspective of synchronic and diachronic research, combining the three forms of the development of tea culture, Zen aesthetics and ceramic tea ware in Song Dynasty. The development and evolution of tea ware in Song Dynasty were systematically analyzed. The emphasis is to explore the design way of "tea meditation blindly" in the tea ware of the Song Dynasty, so as to explore the Zen aesthetic thought contained in the utensils. Through the explanation and analysis of the design form of tea ware in Song Dynasty and the design thought and creation culture contained behind it, this paper probes into the composing form and thinking idea of its design culture. The thesis mainly discusses from three aspects: first, introduces the overall style and development characteristics of tea ware in Song Dynasty; secondly, analyzes the design style and form of tea ware in Song Dynasty. This part analyzes and generalizes the design method from the aspects of process, material, glaze, decoration, function, etc. At the same time, it makes an auxiliary investigation on the source of these design characteristics. From the design and analysis of tea ware in Song Dynasty, the design ideas of the objects are discussed from the aspects of symbolism, aesthetics and times. By summing up the design style and ideological culture of tea ware in Song Dynasty, it is concluded that modern product design should pay attention to absorbing and assimilating all kinds of culture on the premise of its own cultural foundation. In order to constantly create a culture inside the innovative form.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J527

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