明清時期中國畫對陶瓷裝飾的影響
發(fā)布時間：2018-08-05 14:52
【摘要】： 陶瓷藝術集造型和裝飾于一體,在我國已有七千多年的光輝歷史,是人類文化史上科學與藝術的結晶。就陶瓷裝飾藝術而言,一方面它屬于陶瓷造型領域,另一方面它又有著相對獨立的藝術形式。在工藝手法和藝術風格上有著豐富多彩的表現(xiàn)。在歷史發(fā)展中,中國畫的藝術表現(xiàn)手法對陶瓷裝飾產(chǎn)生了很大的影響。明清時期,傳統(tǒng)中國繪畫從題材到表現(xiàn)技法都已成熟,尤其是文人畫在這時高度成熟。這時期的藝術家充分發(fā)揮陶瓷藝術特長,借鑒吸收中國畫的優(yōu)秀表現(xiàn)手法,創(chuàng)作了各種陶瓷藝術,促進陶瓷藝術的發(fā)展。中國畫這種藝術形式與陶瓷裝飾的結合得到了很好的體現(xiàn)。而且在結合過程中,國畫的藝術性得到新的發(fā)展,形成了獨特的陶瓷裝飾語言。例如受明代成化時期宮廷繪畫的影響出現(xiàn)了成化斗彩,清初受到惲壽平的沒骨花卉的影響出現(xiàn)了雍正粉彩,晚清淺絳彩陶瓷的出現(xiàn)則是受到了山水畫的影響。并且國畫的構圖、筆墨、造型等都對陶瓷裝飾產(chǎn)生了影響。文章主要分析明清時期中國畫對陶瓷裝飾的影響,運用追溯法、調(diào)查法及對比法,根據(jù)兩個朝代國畫風格和陶瓷裝飾的不同,從不同的角度去深入探究,分析其影響。在研究生學習和本課題研究過程中查閱了大量的相關文獻資料,并到各大博物館參觀明清時期的陶瓷藝術品進行比較,獲得了第一手資料,受到很多啟發(fā)。
[Abstract]:Ceramic art has a glorious history of more than 7,000 years and is the crystallization of science and art in the history of human culture. As far as ceramic decorative art is concerned, on the one hand it belongs to ceramic modeling field, on the other hand, it has a relatively independent art form. In the craft technique and the artistic style has the rich and colorful performance. In the development of history, the artistic expression of Chinese painting has a great influence on ceramic decoration. During the Ming and Qing dynasties, the traditional Chinese painting matured from the subject matter to the expressive technique, especially the literati painting. In this period, the artists gave full play to ceramic art, drew lessons from the excellent performance of Chinese painting, created various ceramic art, and promoted the development of ceramic art. The combination of Chinese painting and ceramic decoration has been well reflected. And in the process of combination, the art of traditional Chinese painting has been a new development, forming a unique ceramic decorative language. For example, influenced by the court painting in the Ming Dynasty, the painting of the court in the Ming Dynasty had the influence of Chenghuatou color, the influence of the boneless flowers by Yun Shouping at the beginning of the Qing Dynasty appeared Yongzheng pink color, and the appearance of the light crimson colored ceramics in the late Qing Dynasty was influenced by the landscape painting. And the composition of traditional Chinese painting, ink, shape and so on to ceramic decoration has an impact. This paper mainly analyzes the influence of Chinese painting on ceramic decoration in Ming and Qing dynasties. By means of tracing method, investigation method and contrast method, according to the different styles of traditional Chinese painting and ceramic decoration of the two dynasties, this paper makes a thorough exploration from different angles and analyzes its influence. In the course of postgraduate study and the research of this subject, we consulted a large number of relevant documents, and went to major museums to visit the ceramic works of art during the Ming and Qing dynasties for comparison, obtained first-hand information and received a lot of inspiration.
【學位授予單位】：山東輕工業(yè)學院
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J527.9
本文編號：2166128
[Abstract]:Ceramic art has a glorious history of more than 7,000 years and is the crystallization of science and art in the history of human culture. As far as ceramic decorative art is concerned, on the one hand it belongs to ceramic modeling field, on the other hand, it has a relatively independent art form. In the craft technique and the artistic style has the rich and colorful performance. In the development of history, the artistic expression of Chinese painting has a great influence on ceramic decoration. During the Ming and Qing dynasties, the traditional Chinese painting matured from the subject matter to the expressive technique, especially the literati painting. In this period, the artists gave full play to ceramic art, drew lessons from the excellent performance of Chinese painting, created various ceramic art, and promoted the development of ceramic art. The combination of Chinese painting and ceramic decoration has been well reflected. And in the process of combination, the art of traditional Chinese painting has been a new development, forming a unique ceramic decorative language. For example, influenced by the court painting in the Ming Dynasty, the painting of the court in the Ming Dynasty had the influence of Chenghuatou color, the influence of the boneless flowers by Yun Shouping at the beginning of the Qing Dynasty appeared Yongzheng pink color, and the appearance of the light crimson colored ceramics in the late Qing Dynasty was influenced by the landscape painting. And the composition of traditional Chinese painting, ink, shape and so on to ceramic decoration has an impact. This paper mainly analyzes the influence of Chinese painting on ceramic decoration in Ming and Qing dynasties. By means of tracing method, investigation method and contrast method, according to the different styles of traditional Chinese painting and ceramic decoration of the two dynasties, this paper makes a thorough exploration from different angles and analyzes its influence. In the course of postgraduate study and the research of this subject, we consulted a large number of relevant documents, and went to major museums to visit the ceramic works of art during the Ming and Qing dynasties for comparison, obtained first-hand information and received a lot of inspiration.
【學位授予單位】：山東輕工業(yè)學院
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J527.9
【引證文獻】
相關碩士學位論文 前3條
1 范文;清三代琺瑯彩瓷繪藝術的裝飾特征[D];景德鎮(zhèn)陶瓷學院;2011年
2 劉春山;祥瑞瓷紋飾研究[D];景德鎮(zhèn)陶瓷學院;2012年
3 趙川;清代室內(nèi)壁瓶的裝飾藝術語言研究[D];河北科技大學;2012年
，本文編號：2166128
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