發(fā)布時(shí)間：2018-06-22 21:58

  本文選題：漢代漆器 + 裝飾紋樣��； 參考：《揚(yáng)州大學(xué)》2010年碩士論文

【摘要】： 漢代是中國(guó)漆藝史上繼戰(zhàn)國(guó)之后的又一個(gè)輝煌時(shí)代,是中國(guó)漆器工藝的黃金時(shí)代。這一時(shí)期的漆器紋樣在繼承戰(zhàn)國(guó)和秦代的裝飾紋樣的基礎(chǔ)上又得到了新的發(fā)展,形成了自己獨(dú)特的風(fēng)格。以漆器紋樣藝術(shù)價(jià)值而言,漢代屬于一個(gè)繁榮時(shí)期,漢代出土的漆器以其簡(jiǎn)約的造型、豐富的圖案、靈動(dòng)的線條而令后人嘆為觀止。無(wú)論是生活中的覆蓋面或者影響力,還是藝術(shù)成就或裝飾技法的水準(zhǔn),在中國(guó)乃至世界漆藝史上都占據(jù)了極為重要極為輝煌的地位。 漆器的造型限制了裝飾紋樣的形式,漢代漆器的紋樣除了繼承漢以前的漆器紋樣的特點(diǎn),還結(jié)合了自身的造型特點(diǎn),表現(xiàn)出獨(dú)具一格的裝飾風(fēng)格,呈現(xiàn)出大氣磅礴以及浪漫風(fēng)格。漢代漆器裝飾紋樣形式的流變受到社會(huì)、經(jīng)濟(jì)、文化等因素的影響。漢代陰陽(yáng)五行的思想、厚葬之風(fēng)、對(duì)長(zhǎng)生不老的追求推動(dòng)了漢代漆器的空前繁榮發(fā)展,為漢代漆器裝飾紋樣的多樣性提供了前提,是漢代漆器裝飾紋樣形成大氣磅礴以及浪漫風(fēng)格的因素,最終形成了屬于漢代的獨(dú)特裝飾風(fēng)格。漢代漆器裝飾藝術(shù)在構(gòu)成上有多種形式,例如對(duì)稱與均衡、統(tǒng)一與調(diào)和、節(jié)奏和韻律等形式。其中對(duì)稱與均衡,是漢漆器紋樣的主要構(gòu)成形式。 本文以中國(guó)漢代漆器裝飾紋樣為研究對(duì)象,結(jié)合大量的漢代漆器紋樣的圖片,從紋樣的題材內(nèi)容分析入手,深入當(dāng)時(shí)社會(huì)歷史和思想文化背景以及紋樣構(gòu)成形式的分析,試圖找出漢代漆器紋樣的形式法則和美學(xué)特征。并結(jié)合當(dāng)今的時(shí)代特征,對(duì)我國(guó)現(xiàn)代漆器裝飾紋樣的發(fā)展和創(chuàng)新進(jìn)行了探討。 首先介紹了漆器藝術(shù)在漢代的形成和裝飾紋樣的定義,然后論述了漢代漆器與裝飾紋樣之間的關(guān)系。其次從論述漢代漆器裝飾紋樣產(chǎn)生的背景和紋樣題材入手,分析了在社會(huì)歷史背景和思想文化的影響下漢代漆器紋樣發(fā)展的趨勢(shì),進(jìn)而從裝飾手法、構(gòu)成形式、色彩語(yǔ)言三個(gè)方面對(duì)漢代漆器裝飾紋樣的藝術(shù)特征展開(kāi)論述。最后,主要分析漢代漆器裝飾紋樣對(duì)現(xiàn)代漆畫(huà)紋樣的啟示以及現(xiàn)代漆器紋樣的創(chuàng)新。
[Abstract]:Han Dynasty was another glorious period after the warring States period in the history of Chinese lacquer art and the golden age of Chinese lacquer craft. On the basis of inheriting the decorative patterns of warring States and Qin Dynasty, the lacquer patterns of this period were developed and formed their own unique style. As far as the artistic value of lacquer ware pattern is concerned, Han Dynasty belongs to a prosperous period. The lacquer ware unearthed in the Han Dynasty was astounded by its simple shape, rich patterns and intelligent lines. Whether the coverage or influence of life, or artistic achievements or decorative techniques, has occupied an extremely important and brilliant position in the history of lacquer art in China and the world. The pattern of lacquer ware limited the form of decorative pattern. In addition to inheriting the characteristics of lacquer pattern before Han Dynasty, the pattern of lacquer ware also combined with its own modeling characteristics, showing a unique decorative style. Presents a magnificent and romantic style. The evolution of decorative patterns of lacquer ware in Han Dynasty was influenced by social, economic and cultural factors. The thought of the five elements of Yin and Yang in the Han Dynasty, the style of burial, the pursuit of immortality promoted the unprecedented prosperity of the lacquer ware in the Han Dynasty, and provided the premise for the variety of decorative patterns of the lacquer ware in the Han Dynasty. Is the Han Dynasty lacquer decorative patterns form a magnificent and romantic style, and finally formed a unique decorative style belonging to the Han Dynasty. The decorative art of lacquer ware in Han Dynasty has many forms, such as symmetry and balance, unity and harmony, rhythm and rhythm, etc. Among them, symmetry and balance are the main forms of Han lacquer patterns. This article takes Chinese Han Dynasty lacquer ware decoration pattern as the research object, unifies the massive Han Dynasty lacquerware pattern picture, from the pattern theme content analysis, thorough at that time social history and the thought culture background as well as the pattern constitution form analysis, This paper tries to find out the formal rules and aesthetic characteristics of lacquer patterns in Han Dynasty. The development and innovation of decorative patterns of modern lacquer ware in China are discussed. This paper first introduces the formation of lacquer art in Han Dynasty and the definition of decorative pattern, then discusses the relationship between lacquer ware and decorative pattern in Han Dynasty. Secondly, this paper discusses the background and theme of lacquer decorative patterns in Han Dynasty, analyzes the development trend of lacquer patterns in Han Dynasty under the influence of social and historical background and ideology and culture, and then forms the lacquer patterns from decoration techniques. Three aspects of the color language of the Han Dynasty lacquer decorative patterns of the artistic characteristics of the discussion. Finally, the paper mainly analyzes the inspiration of decorative pattern of lacquer ware in Han Dynasty to the pattern of modern lacquer painting and the innovation of the pattern of modern lacquer ware.
【學(xué)位授予單位】：揚(yáng)州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J527

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前4條

1 李晨曦;傳統(tǒng)漆畫(huà)在室內(nèi)設(shè)計(jì)中的應(yīng)用[D];沈陽(yáng)建筑大學(xué);2012年

2 吳媛;漢代盛器類漆器顏色審美文化研究[D];江南大學(xué);2012年

3 王磊;秦漢漆器云紋紋飾研究[D];揚(yáng)州大學(xué);2012年

4 夏賓;馬王堆漆器紋樣在新中式家具中的裝飾應(yīng)用[D];中南林業(yè)科技大學(xué);2013年

，

本文編號(hào)：2054354