發(fā)布時(shí)間：2018-06-18 23:20

  本文選題：南通 + 藍(lán)印花布　； 參考：《淮北師范大學(xué)》2011年碩士論文

【摘要】：南通藍(lán)印花布是中國藍(lán)印花布的典型代表,是全國研究、開發(fā)、生產(chǎn)和傳承民間藍(lán)印花布的重點(diǎn)地區(qū),也是我國重要的傳統(tǒng)工藝之一,具有悠久的歷史、濃厚的鄉(xiāng)土氣息及較強(qiáng)圖案藝術(shù)性民族特點(diǎn)的民間藝術(shù)與民俗文化,2006年經(jīng)國務(wù)院批準(zhǔn)被文化部列為“首批國家級(jí)非物質(zhì)文化遺產(chǎn)保護(hù)項(xiàng)目”。南通藍(lán)印花布格調(diào)簡潔樸素、高雅大方,蘊(yùn)含著中國人獨(dú)特的審美趣味和生活情調(diào),經(jīng)過歲月的淘洗,煥發(fā)著越來越迷人的魅力。 南通藍(lán)印花布的發(fā)生與發(fā)展,在自然因素上主要依托棉紡織業(yè)在啟海地區(qū)的興盛,生產(chǎn)的工藝技術(shù)基礎(chǔ)則是依托于藍(lán)染產(chǎn)業(yè)的廣泛性和普遍性。而從設(shè)計(jì)與裝飾的角度考察的話,藍(lán)印花布花板的創(chuàng)作的藝術(shù)個(gè)性決定了其裝飾特點(diǎn)。 南通藍(lán)印花布的裝飾意涵是在長期的藍(lán)印花布的制作生產(chǎn)的過程中逐步形成的,自然因素和生產(chǎn)條件是藍(lán)印花布產(chǎn)業(yè)興盛的基礎(chǔ),產(chǎn)業(yè)的興盛與市場的需求是南通藍(lán)印花布彰顯藝術(shù)裝飾面貌、形成獨(dú)特藝術(shù)語言的內(nèi)在動(dòng)力,而這種特殊的裝飾語言需要以物化的生產(chǎn)工藝來實(shí)現(xiàn)。藍(lán)染技術(shù)的傳播與市場的需求是相互依存的,藍(lán)染技術(shù)促進(jìn)了藍(lán)印花布市場的培育,藍(lán)印花布的商品化又促進(jìn)了技術(shù)的改良和裝飾手法的創(chuàng)新。 近代西方的工業(yè)發(fā)展對(duì)傳統(tǒng)藍(lán)印花布的生產(chǎn)沖擊很大,市場被逐漸蠶食,新觀念的解放與流行造成人們審美的變化,而南通藍(lán)印花布的手工生產(chǎn)方式造成的藝術(shù)表現(xiàn)上固定程式限制了創(chuàng)造性的較好發(fā)揮,直至消亡的邊緣。然而致力于拯救、恢復(fù)、保護(hù)、研究的民間工藝家沒有放棄使南通藍(lán)印花布重放光彩的機(jī)會(huì),經(jīng)過不懈的努力使人們重新發(fā)現(xiàn)和認(rèn)識(shí)這一豐富而寶貴的文化遺產(chǎn),在政府部門意識(shí)到其價(jià)值和意義后給予了極大的肯定和幫助,使得南通藍(lán)印花布又以特有的裝飾語言吸引人們?nèi)ヌ角蠛屯诰蚱浔澈蟮膶徝酪饬x。南通藍(lán)印花布還應(yīng)當(dāng)緊跟時(shí)代發(fā)展的步伐,走入今天的設(shè)計(jì)之中,而今天的設(shè)計(jì)創(chuàng)新要發(fā)揮南通藍(lán)印花布的裝飾語言,探求文化和心靈上的融通。 南通藍(lán)印花布的裝飾語言主要表現(xiàn)在外化的色彩的應(yīng)用、圖案的題材及構(gòu)圖的形式,而其深層的文化意蘊(yùn)則表現(xiàn)在傳統(tǒng)民間、民俗文化積淀下的對(duì)吉祥和幸福的追求,民間淳樸的色彩觀念。外化的形式語言是民間生活的直觀反映,色彩的選擇除去工藝等制約條件外,為人們所喜愛的文化內(nèi)因才是其色彩為廣大民眾普遍接受并延續(xù)傳統(tǒng)的內(nèi)在文化動(dòng)力。藍(lán)自兩色所蘊(yùn)含的中國傳統(tǒng)的平凡樸素的生存觀念,吉祥紋樣所包含的深刻的宗族和倫理意義,都是對(duì)民族傳統(tǒng)文化的記錄和展現(xiàn)。 南通藍(lán)印花布和現(xiàn)代設(shè)計(jì)的融合應(yīng)用首先要在大的設(shè)計(jì)概念之下展開,傳統(tǒng)藍(lán)印花布的使用功能隨著現(xiàn)代生活方式的變化而逐漸縮減,同時(shí)新的設(shè)計(jì)應(yīng)用形式也為南通藍(lán)印花布的現(xiàn)代設(shè)計(jì)應(yīng)用提供了可能性。南通藍(lán)印花布必須適應(yīng)這種變化,在裝飾語言上首先進(jìn)行自身的改良和創(chuàng)新。這種創(chuàng)新有兩種途徑：一是運(yùn)用工藝的改革創(chuàng)造新的色彩表現(xiàn),取其形�；蛘哓S富自身的圖案表現(xiàn)題材內(nèi)容,只取藍(lán)印花布的精神內(nèi)涵,形式符合現(xiàn)代審美需要。在裝飾語言創(chuàng)新的基礎(chǔ)上,與現(xiàn)代設(shè)計(jì)進(jìn)行形與意的借鑒和打散重構(gòu)的創(chuàng)新,并將之和運(yùn)用領(lǐng)域的不同要求相互貫通,形成新的面貌,彰顯新的藝術(shù)表現(xiàn)力,創(chuàng)造新的經(jīng)濟(jì)和文化價(jià)值。
[Abstract]:Nantong blue print is the typical representative of the Chinese blue print cloth. It is the key area of the national research, development, production and inheritance of the folk blue print cloth. It is also one of the important traditional crafts in China. It has a long history, strong local atmosphere and a strong folk art and folk culture with a strong pattern and artistic character. In 2006, it was approved by the State Council. The Ministry of culture is listed as "the first national intangible cultural heritage protection project". Nantong blue print Bouguer is simple and simple, elegant and generous. It contains the unique aesthetic taste and life style of Chinese people. After years of washing, it radiate more and more charming charm.
The occurrence and development of Nantong blue print cloth is mainly relying on the flourishing of cotton textile industry in Kai Hai area in natural factors. The technological base of production depends on the universality and universality of the blue dyeing industry. From the perspective of design and decoration, the artistic personality of the blue printed cloth flower board determines its decorative characteristics.
The decorative meaning of Nantong blue print is formed gradually in the process of production and production of long blue print cloth. Natural factors and production conditions are the foundation of the flourishing of blue print cloth industry. The prosperity of the industry and the demand of the market are the inner motive force of Nantong blue print to display the artistic decoration and form the unique artistic language. The special decoration language needs to be realized by the materialized production process. The spread of blue dyeing technology is interdependent with the demand of the market. Blue dyeing technology promotes the cultivation of the blue printing cloth market. The commercialization of blue printing cloth has also promoted the improvement of technology and the innovation of the decorative techniques.
The industrial development of modern western countries has a great impact on the production of traditional blue print cloth. The market is gradually encroached, the emancipation and popularity of new ideas have caused people's aesthetic change, and the artistic expression caused by the manual production of the blue print in Nantong has limited the creativity and the demise edge. The folk craftsmen of the rescue, recovery, protection and research did not give up the opportunity to replay the brilliance of the Nantong blue print cloth, and through unremitting efforts to rediscover and recognize the rich and valuable cultural heritage, the government has given great affirmation and assistance to the government after realizing its value and significance, making the blue print cloth in Nantong special. Some decorative languages attract people to explore and excavate the aesthetic meaning behind them. Nantong blue printing cloth should also follow the pace of the development of the times and go into the design of today's design. Today's design innovation should give full play to the decoration language of Nantong blue print and explore the integration of culture and soul.
The decorative language of Nantong blue print is mainly manifested in the application of externalized color, the theme of the pattern and the form of composition, while its deep cultural implication is manifested in the pursuit of auspiciousness and happiness under the traditional folklore and folklore culture, and the simple and simple color concept. The external form language is the visual reflection of the folk life. The choice to remove the technology and other constraints, for people's favorite cultural internal cause is the color for the general acceptance and continuation of the traditional inner cultural power. Blue from the two colors of Chinese traditional plain living concept, auspicious patterns contain profound clan and ethical significance, is the traditional national language. Record and display.
The integrated application of Nantong blue print and modern design should first be carried out under the big design concept. The use function of the traditional blue print cloth is gradually reduced with the change of modern life style. At the same time, the new design and application form also provides the possibility for the modern design and application of the blue print cloth of Nantong. The blue print of Nantong must be adapted to the possibility. This change has two ways to improve and innovate in the decoration language. The innovation has the following ways: first, to create new color performance by the reform of the technology, to take its shape, or to enrich its own pattern, to take the spiritual connotation of the blue print and to meet the needs of modern aesthetic. On the basis of the modern design, we can draw on the innovation of the form and meaning of the modern design and break up the reconstruction, and combine it with the different requirements of the application field to form a new look, highlight the new artistic expressiveness and create new economic and cultural values.
【學(xué)位授予單位】：淮北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J523.5

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