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恩施土家民居建筑藝術(shù)中的裝飾符號(hào)研究

發(fā)布時(shí)間:2018-06-13 05:52

  本文選題:文化情結(jié) + 裝飾符號(hào) ; 參考:《湖北工業(yè)大學(xué)》2012年碩士論文


【摘要】:恩施土家民居建筑裝飾風(fēng)格與我國(guó)其他地區(qū)的民居建筑不同,它以其獨(dú)特的建筑規(guī)模、形式、空間、功能和裝飾以及文化內(nèi)涵構(gòu)成了自己的存在價(jià)值和特色。作為鄂西地域文化表現(xiàn)形式之一的土家族傳統(tǒng)民居建筑,其資源特別豐富,到現(xiàn)在還保留了一批非常有特色的、完整的明清時(shí)期鄉(xiāng)土建筑群。例如如咸豐縣的嚴(yán)家祠堂,宣恩縣的彭家寨等。這些建筑群都有相同的文化情結(jié),在社會(huì)的發(fā)展導(dǎo)致人們的審美需要在不斷的多元化,F(xiàn)在,從事土家裝飾設(shè)計(jì)藝術(shù)倘若原封不動(dòng)的采用舊辦法,那么土家裝飾設(shè)計(jì)藝術(shù)將失掉它自身的藝術(shù)價(jià)值和社會(huì)價(jià)值。因此,在對(duì)它實(shí)行保護(hù)、整理和革新,創(chuàng)作出既具有傳統(tǒng)韻味又洋溢著時(shí)代氣息的作品的同時(shí),更要聯(lián)系時(shí)代的發(fā)展將這種傳統(tǒng)民間藝術(shù)應(yīng)用到裝飾設(shè)計(jì)中,以更好的滿(mǎn)足市場(chǎng)和眾多老百姓的審美需要,使土家裝飾設(shè)計(jì)藝術(shù)更好的繼承和發(fā)展。 當(dāng)前世界各項(xiàng)科學(xué)技術(shù)更新日漸加快,各國(guó)各地在建筑技術(shù)上不斷進(jìn)行交流融合,各地建筑中的共性在不斷增加,個(gè)性部分在不斷減少。在眾多形式的鄉(xiāng)土建筑中,對(duì)形式發(fā)展有決定性影響的是量大面廣,相繼相承的民居建筑。它是鄉(xiāng)土建筑的根本,甚至高大宏偉、技術(shù)精湛的宮殿廟宇也在不斷從民居建筑中吸取營(yíng)養(yǎng)。 但是,,傳統(tǒng)民居建筑文化卻隨著經(jīng)濟(jì)騰飛而日趨衰落與蛻變。對(duì)于土家民居來(lái)說(shuō),保護(hù)、延續(xù)傳承與創(chuàng)新發(fā)展它已引起了有關(guān)部門(mén)的高度重視,并采取了相應(yīng)的措施,如一些經(jīng)典的民居都已被修復(fù)和保護(hù)起來(lái)。但對(duì)其民居的創(chuàng)新發(fā)展,卻缺乏突破,缺乏創(chuàng)新。如何將這一獨(dú)特的傳統(tǒng)民居建筑文化更好地繼承與發(fā)揚(yáng)光大,成為擺在我們面前急于研究解決的重要課題。作為一種文化來(lái)講,土家民居建筑形成歷史悠久,有著獨(dú)特的裝飾符號(hào)風(fēng)格,可供研究和挖掘的資源很多。但隨著時(shí)代的進(jìn)步,土家民居建筑文化與現(xiàn)代建筑文化之間不可避免的會(huì)發(fā)生碰撞。同時(shí)隨著文化全球化的今天,土家民居文化與現(xiàn)代建筑裝飾藝術(shù)應(yīng)該是相互滲透和吸取的。所以說(shuō)從文化、社會(huì)發(fā)展、生活習(xí)俗的角度上來(lái)說(shuō),研究土家民居建筑的創(chuàng)新發(fā)展也有著極其重要的意義。
[Abstract]:The decoration style of Enshi Tujia folk residence is different from that of other regions in our country. Its unique architectural scale, form, space, function, decoration and cultural connotation constitute its own existence value and characteristics. As one of the forms of regional culture in western Hubei, Tujia traditional residential buildings are extremely rich in resources. Up to now, they have retained a number of unique and complete vernacular buildings during the Ming and Qing dynasties. For example, Xianfeng County Yan ancestral Hall, Xuanen County Pengjiazhai and so on. These buildings all have the same cultural complex, in the social development, people's aesthetic needs in constant diversity. Now, if we engage in the Tujia decorative design art, if we adopt the old method intact, then the Tujia decorative design art will lose its own artistic value and social value. Therefore, while protecting, arranging and innovating it and creating works with traditional charm and full of the flavor of the times, we should also apply this kind of traditional folk art to decorative design in the light of the development of the times. In order to better meet the aesthetic needs of the market and many ordinary people, Tujia decorative design art better inheritance and development. At present, every science and technology renewal in the world is speeding up day by day, the various countries and places carry on the exchange fusion unceasingly in the construction technology, the common character in the local architecture is increasing unceasingly, the individuality part is decreasing unceasingly. Among the various forms of vernacular architecture, the one that has a decisive effect on the development of the form is the residential building which has a large quantity and a wide range. It is the root of local architecture, even tall and magnificent, skilled palaces and temples are constantly drawing nutrition from the residential buildings. However, with the rapid development of economy, the traditional architecture culture has gradually declined and changed. For Tujia dwellings, protection, continuity, inheritance and innovation have attracted great attention from relevant departments, and corresponding measures have been taken, such as some classical houses have been repaired and protected. However, the innovative development of its residence, but lack of breakthrough, lack of innovation. How to better inherit and carry forward this unique traditional architecture culture has become an important subject that we are eager to study and solve. As a kind of culture, Tujia vernacular architecture has a long history and unique decorative symbol style, which can be studied and excavated a lot of resources. However, with the progress of the times, there will inevitably be a collision between the architectural culture of Tujia residence and the modern architectural culture. At the same time, with the globalization of culture, Tujia folk residence culture and modern architectural decorative art should be permeated and absorbed. Therefore, from the point of view of culture, social development and living customs, it is of great significance to study the innovative development of Tujia residential buildings.
【學(xué)位授予單位】:湖北工業(yè)大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類(lèi)號(hào)】:J525

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