發(fā)布時(shí)間：2018-06-13 03:01

  本文選題：現(xiàn)代 + 裝飾　； 參考：《哈爾濱師范大學(xué)》2012年碩士論文

【摘要】：現(xiàn)代藝術(shù)是對(duì)傳統(tǒng)藝術(shù)的顛覆，同時(shí)表現(xiàn)出五個(gè)新特性：多元性、人本性、內(nèi)向性、游戲性以及寫意性。在現(xiàn)代藝術(shù)的指導(dǎo)下，現(xiàn)代裝飾藝術(shù)也體現(xiàn)出了四個(gè)新特點(diǎn)：批量生產(chǎn)和奇思妙想的結(jié)合，抽象朦朧的內(nèi)容，多元無序的形式以及設(shè)計(jì)性和游戲性的統(tǒng)一。在現(xiàn)代裝飾藝術(shù)中色彩非常重要，以意象的形式出現(xiàn)，色彩的表面意義是主觀與客觀的結(jié)合，色彩是客觀存在，但是可以給人造成主觀的心理暗示，色彩的深層意義是依照表面意義的內(nèi)在聯(lián)系而使用的一種象征型的手法�，F(xiàn)代裝飾色彩源于自然，是一種超自然的想象。各種藝術(shù)流派多元共生，色彩的形式不固定并且重要性更加明顯。色彩可以反映并且反作用于人的情緒，現(xiàn)代裝飾色彩更加關(guān)注人的情緒，試圖表現(xiàn)并彌合現(xiàn)代社會(huì)的人的壓抑和恐懼。藝術(shù)性和實(shí)用性是裝飾藝術(shù)的兩個(gè)特性，二者應(yīng)該是統(tǒng)一的而并非是對(duì)立的。在藝術(shù)性中，藝術(shù)家要融合中西美術(shù)。藝術(shù)家以自我意識(shí)和風(fēng)格為線索，借鑒藝術(shù)流派的理念以及當(dāng)時(shí)和當(dāng)代兩種視角對(duì)現(xiàn)有的藝術(shù)流派進(jìn)行建構(gòu)，解構(gòu)和重構(gòu)的過程。現(xiàn)代裝飾的色彩的內(nèi)涵和外延都極為廣闊，并有狹義和廣義之分，狹義的色彩是繼承并發(fā)展美術(shù)的裝飾色彩，廣義的色彩是指與色彩作用相同的材料的一些特性比如硬度，，質(zhì)地和光澤等軟裝飾特性，本文以廚房，紫砂壺，服裝和噴漆為例探討現(xiàn)代裝飾色彩應(yīng)該如何運(yùn)用。在實(shí)用中藝術(shù)家需要注重第一印象，增強(qiáng)色彩的沖擊力；以整體性的視角做到色彩和其他裝飾元素的統(tǒng)一；在設(shè)計(jì)作品應(yīng)該與實(shí)踐相聯(lián)系；在實(shí)踐之中發(fā)展藝術(shù)理念并充分認(rèn)識(shí)到色彩的民族禁忌；注重節(jié)約成本。
[Abstract]:Modern art is the subversion of traditional art, and shows five new characteristics: pluralism, human nature, introversion, play and freehand brushwork. Under the guidance of modern art, modern decorative art also embodies four new features: the combination of batch production and fantasy, abstract and hazy content, diverse and disordered forms, and the unity of design and gameplay. In modern decorative art, color is very important. It appears in the form of image. The superficial meaning of color is the combination of subjective and objective, and the color is objective, but it can give people subjective psychological suggestion. The deep meaning of color is a symbolic technique used according to the internal connection of surface meaning. Modern decorative color originates from nature and is a supernatural imagination. A variety of art schools of multiple symbiosis, the form of color is not fixed and the importance of more obvious. Color can reflect and counteract people's emotions, modern decorative colors pay more attention to people's emotions, and try to express and heal the people's oppression and fear in modern society. Artistry and practicability are two characteristics of decorative art, and they should be unified rather than antagonistic. In artistry, artists should merge Chinese and western fine arts. The artists take the self-consciousness and style as the clue, draw lessons from the ideas of art schools and the process of constructing, deconstructing and reconstructing the existing art schools from the two angles of view at that time and in the contemporary era. The connotation and extension of the color of modern decoration are extremely broad, and there are narrow and broad sense. The narrow color is to inherit and develop the decorative color of fine arts. In a broad sense, color refers to some characteristics of materials that have the same function as colors, such as hardness. This paper discusses how to use modern decorative colors by taking kitchen, purple sand pot, clothing and spray paint as examples. In practice, the artist should pay attention to the first impression, enhance the impact of color, unify the color with other decorative elements from a holistic perspective, and combine the design works with practice. In practice, we should develop the artistic concept and fully realize the national taboos of color, and pay attention to cost saving.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J525

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 石f艷;裝飾色彩在現(xiàn)代家具設(shè)計(jì)上的應(yīng)用[D];湖北工業(yè)大學(xué);2013年

本文編號(hào)：2012383