本文選題：清三代 + 琺瑯彩瓷�。� 參考：《景德鎮(zhèn)陶瓷學院》2011年碩士論文

【摘要】：清三代琺瑯彩瓷是我國陶瓷彩繪藝術中的一朵奇葩,是我國陶瓷發(fā)展史上不可或缺的一部分。本文對琺瑯彩的創(chuàng)燒、興盛和衰落進行了闡述,以大量實物和文獻為研究對象,從裝飾題材、技法、藝術表現(xiàn)、風格等方面揭示了清三代琺瑯彩瓷繪藝術的主要裝飾特征,其中對康熙時期的牡丹紋、蓮花紋裝飾和色地工藝、雍正時期的花鳥、山水題材裝飾和白地畫琺瑯工藝、乾隆時期的西洋人物、山水人物裝飾和砑道工藝等裝飾技法進行了深入的研究,并試圖分析琺瑯彩興盛和衰落的原因。從而肯定了琺瑯彩瓷繪藝術在中國陶瓷發(fā)展史上的重要地位,以及對中外文化藝術交流和對粉彩的開創(chuàng)具有深遠的影響。為我國傳統(tǒng)陶瓷藝術的傳承及現(xiàn)代陶瓷藝術的發(fā)展和創(chuàng)新提供有益的理論平臺。
[Abstract]:The third generation enamel porcelain of Qing Dynasty is a wonderful flower in the art of ceramic painting in our country and an indispensable part in the history of the development of Chinese ceramics. This paper expounds the creation, prosperity and decline of enamel color, taking a large number of objects and documents as the research object, reveals the main decorative features of the enamel painting art of the third generation of Qing Dynasty from the aspects of decoration theme, technique, art expression, style, etc. Among them, the decoration of peony lines, lotus patterns and colored land techniques of Kangxi period, flowers and birds of Yongzheng period, landscape theme decoration and white earth painting enamel craft, Western figures of Qianlong period, The decorative techniques such as landscape decoration and craftsmanship are deeply studied, and the reasons for the rise and decline of enamel color are analyzed. Thus, the important position of enamel porcelain painting in the history of Chinese ceramics development is affirmed, and it has a profound influence on the cultural and artistic exchange between China and foreign countries and on the creation of pink color. It provides a useful theoretical platform for the inheritance of traditional ceramic art and the development and innovation of modern ceramic art.
【學位授予單位】：景德鎮(zhèn)陶瓷學院
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：K876.3

【參考文獻】

相關博士學位論文 前1條

1 周思中;清宮瓷胎畫琺瑯的藝術及歷史研究：1716-1789[D];清華大學;2006年

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本文編號：2011724