發(fā)布時(shí)間：2018-06-12 12:33

  本文選題：家具設(shè)計(jì) + 龍鳳圖案��； 參考：《西北農(nóng)林科技大學(xué)》2006年碩士論文

【摘要】： 家具的風(fēng)格代表著一個(gè)國(guó)家,一個(gè)民族文化的一個(gè)側(cè)面,反映著一個(gè)民族的藝術(shù)�，F(xiàn)代風(fēng)格家具過于強(qiáng)調(diào)理性與標(biāo)準(zhǔn)化,否定了個(gè)性以及人們對(duì)多樣化選擇的要求。人們不但注重家具的功能與造型,而且還希望家具具有一定歷史與文化的積淀,能使人產(chǎn)生情感的聯(lián)想與共鳴,這就需要選擇適當(dāng)?shù)牟课贿M(jìn)行合理的裝飾。對(duì)于家具裝飾,最基本的就是二維的裝飾圖案。我國(guó)的傳統(tǒng)圖案有著五千多年的悠久歷史,具有中華民族古老的文化特色,飽含了非富多彩的造物思想和藝術(shù)成就。傳統(tǒng)的裝飾紋樣中,龍鳳圖案是世世代代中國(guó)人獨(dú)特的審美創(chuàng)造的信息載體,是最具代表性的裝飾圖案。研究龍鳳圖案,對(duì)于開創(chuàng)我國(guó)家具的未來具有重要的意義。 論文從龍鳳的起源開始,講述了龍鳳的起源、種類、及歷代龍鳳紋的演化和造型特點(diǎn)。隨后以時(shí)間為順序概述龍鳳紋的關(guān)系問題,暢述了龍鳳圖案的發(fā)展史。家具的二重性決定了家具既具有物質(zhì)功能又具有精神功能,龍鳳圖案經(jīng)過直接引用、變形歸納、重組同構(gòu)、適形造型等手段,與現(xiàn)代家具設(shè)計(jì)相融合,分別應(yīng)用在線型和線腳、腳型和腳架、頂飾和帽頭、床屏和椅背等部位,符合現(xiàn)代人對(duì)家具精神的和物質(zhì)的雙重需求。隨著生產(chǎn)技術(shù)的不斷進(jìn)步,表現(xiàn)手法也多樣化,可采用雕刻裝飾、模塑件裝飾、鑲嵌裝飾、烙花裝飾、薄木拼花、貼紙和噴繪等。同時(shí),龍鳳圖案與家具的款式、材料和在家具中的合理布局,也要綜合考慮。 對(duì)設(shè)計(jì)師來說,資料的整理甚為重要。本數(shù)據(jù)庫系統(tǒng)收集整理從新石器時(shí)代到近現(xiàn)代金銀器、銅器、玉器、漆器、織錦、家具、雕塑等各式各樣的龍鳳裝飾紋樣。能夠按用戶的需要查找到所需的圖像數(shù)據(jù),并對(duì)滿足條件的數(shù)據(jù)庫圖像進(jìn)行瀏覽、放大、縮小、旋轉(zhuǎn)、特殊效果處理等操作。不僅節(jié)約了設(shè)計(jì)師大量的寶貴時(shí)間,對(duì)圖像的操作功能可以幫助設(shè)計(jì)師更加細(xì)致的觀察圖案的細(xì)節(jié),更加直觀的看到實(shí)際應(yīng)用的效果,以便根據(jù)實(shí)際需要及時(shí)改進(jìn)設(shè)計(jì)方案。 該數(shù)據(jù)庫的成功開發(fā)是將傳統(tǒng)圖案與現(xiàn)代設(shè)計(jì)相融合的突破口。不僅對(duì)于現(xiàn)代家具企業(yè)非常實(shí)用,還可應(yīng)用在建筑設(shè)計(jì)、服裝設(shè)計(jì)、陶藝設(shè)計(jì)、金銀器設(shè)計(jì)、包裝設(shè)計(jì)、交通工具設(shè)計(jì)等領(lǐng)域,應(yīng)用前景十分廣闊。 最后,本文對(duì)家具的設(shè)計(jì)原則給與簡(jiǎn)要的說明。同時(shí),利用數(shù)據(jù)庫快速查詢符合要求的龍鳳圖案,將其合理的應(yīng)用在現(xiàn)代家具中進(jìn)行了設(shè)計(jì)實(shí)踐。
[Abstract]:The style of furniture represents a country, a side of national culture, reflects the art of a nation. Modern style furniture emphasizes rationality and standardization too much, negates individual character and people's request for diversification choice. People not only pay attention to the function and shape of furniture, but also hope that furniture has a certain historical and cultural accumulation, which can make people have emotional association and resonance. For furniture decoration, the most basic is the two-dimensional decorative pattern. China's traditional patterns have a long history of more than five thousand years, with the ancient cultural characteristics of the Chinese nation, full of non-colorful creative ideas and artistic achievements. Among the traditional decorative patterns, the dragon and Phoenix pattern is the unique information carrier of Chinese aesthetic creation and the most representative decorative pattern. The study of dragon and Phoenix patterns is of great significance for creating the future of Chinese furniture. Starting from the origin of dragon and Phoenix, this paper describes the origin, species, evolution and modeling characteristics of dragon and Phoenix patterns. Then, the relationship between dragon and Phoenix patterns is summarized in the order of time, and the history of dragon and Phoenix patterns is described. The duality of furniture determines that furniture has both material function and spiritual function. The dragon and Phoenix patterns are combined with modern furniture design by means of direct citation, deformation induction, recombination of isomorphism, conformal modeling and so on. Foot type and scaffold, top and cap, bed screen and chair back, meet the spiritual and material needs of modern furniture. With the continuous progress of production technology, the expression techniques are also diversified, can be used carving decoration, molded decoration, inlay decoration, floral decoration, thin wood mosaic, sticker and spray painting and so on. At the same time, dragon and Phoenix patterns and furniture style, materials and reasonable layout in the furniture, but also comprehensive consideration. For designers, the collation of materials is very important. This database system collects and arranges all kinds of decorative patterns of dragon and Phoenix from Neolithic Age to modern times, such as gold and silver, bronze, jade, lacquer, brocade, furniture, sculpture and so on. It can find the needed image data according to the user's needs, and browse, enlarge, shrink, rotate, special effect processing and so on to satisfy the condition database image. It not only saves the designer a lot of precious time, but also helps the designer to observe the details of the pattern more carefully, and to see the effect of practical application more intuitively, in order to improve the design scheme in time according to the actual needs. The successful development of the database is the breakthrough point that combines the traditional pattern with the modern design. It is not only very practical for modern furniture enterprises, but also can be used in architectural design, clothing design, ceramic design, gold and silver ware design, packaging design, vehicle design and so on. The application prospect is very broad. Finally, this article gives the brief explanation to the furniture design principle. At the same time, using the database to query the dragon and Phoenix patterns which meet the requirements, the reasonable application of the design practice in modern furniture is carried out.
【學(xué)位授予單位】：西北農(nóng)林科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：TS664

【引證文獻(xiàn)】

相關(guān)期刊論文 前3條

1 潘珠玉;劉亞蘭;;傳統(tǒng)家具龍紋的演變及其在現(xiàn)代家具上的應(yīng)用[J];家具與室內(nèi)裝飾;2010年05期

2 蔣衛(wèi)平;;談現(xiàn)代簡(jiǎn)約風(fēng)格辦公空間設(shè)計(jì)——以湖南省交通廳綜合辦公大樓室內(nèi)裝飾設(shè)計(jì)為例[J];家具與室內(nèi)裝飾;2011年01期

3 姚建平;潘華晴;;傳統(tǒng)紋樣在家具裝飾設(shè)計(jì)中的運(yùn)用[J];科教文匯(中旬刊);2010年10期

相關(guān)碩士學(xué)位論文 前10條

1 陳卓;中國(guó)傳統(tǒng)裝飾紋樣[D];中南林業(yè)科技大學(xué);2009年

2 潘珠玉;龍紋在傳統(tǒng)與現(xiàn)代家具上應(yīng)用的研究與探討[D];東北林業(yè)大學(xué);2011年

3 肖秀英;明式圈椅的設(shè)計(jì)研究[D];東北林業(yè)大學(xué);2008年

4 趙巖;多梳拉舍爾花邊的圖案構(gòu)成與設(shè)計(jì)方法研究[D];江南大學(xué);2009年

5 韓吟秋;蘇式明清家具雕刻裝飾研究[D];江南大學(xué);2009年

6 李曉倩;植物紋樣數(shù)字藝術(shù)設(shè)計(jì)在家具設(shè)計(jì)中應(yīng)用研究[D];東北林業(yè)大學(xué);2010年

7 文觀秀;明清時(shí)期鳳紋樣在現(xiàn)代女式休閑服飾中的創(chuàng)新設(shè)計(jì)研究[D];湖南師范大學(xué);2012年

8 馬前進(jìn);中國(guó)傳統(tǒng)吉祥圖案在現(xiàn)代室內(nèi)與家具設(shè)計(jì)中的應(yīng)用研究[D];內(nèi)蒙古農(nóng)業(yè)大學(xué);2012年

9 夏賓;馬王堆漆器紋樣在新中式家具中的裝飾應(yīng)用[D];中南林業(yè)科技大學(xué);2013年

10 王淑文;卷草紋裝飾特征及其在現(xiàn)代家具設(shè)計(jì)中的應(yīng)用[D];中南林業(yè)科技大學(xué);2013年

，

本文編號(hào)：2009690