發(fā)布時(shí)間：2018-06-12 00:45

  本文選題：中國(guó) + 當(dāng)代��； 參考：《湖南師范大學(xué)》2016年碩士論文

【摘要】：當(dāng)代,隨著具有平面化特點(diǎn)的油畫(huà)作品的不斷涌出,并以其奇特的表達(dá)方式和獨(dú)特的視覺(jué)效果,迅速吸引了大量的油畫(huà)愛(ài)好者的眼球,越來(lái)越多的觀眾開(kāi)始關(guān)注和喜愛(ài)此類油畫(huà)作品。因此,平面化的油畫(huà)作品逐漸成為油畫(huà)界的新寵。隨著油畫(huà)平面化的不斷進(jìn)步與發(fā)展,越來(lái)越多的油畫(huà)創(chuàng)作者在吸收西方寫(xiě)實(shí)主義的基礎(chǔ)上,不斷的追求新的思路,在畫(huà)面上主觀弱化物體的明暗變化、體面轉(zhuǎn)折、空間層次等,采用對(duì)造型進(jìn)行抽象變形和平涂色彩的方式,表現(xiàn)出畫(huà)面的平面感、純粹感以及裝飾感,突出作品的二維空間特點(diǎn)�？v觀中國(guó)油畫(huà)的發(fā)展史,可以看出,油畫(huà)的平面化趨勢(shì)也在不斷的發(fā)展壯大,這不是藝術(shù)的偶然,在此背后存在著一定的社會(huì)文化根源。中國(guó)的平面化油畫(huà)不僅受到了西方傳統(tǒng)油畫(huà)創(chuàng)作思維以及世界藝術(shù)發(fā)展格局的影響,中國(guó)傳統(tǒng)的繪畫(huà)藝術(shù)創(chuàng)作手法也在潛移默化中推動(dòng)著平面化油畫(huà)的創(chuàng)作思維,中國(guó)人從古自今形成的審美特點(diǎn)和思維方式也不知不覺(jué)地成為了現(xiàn)當(dāng)代中國(guó)平面化油畫(huà)作品快速成長(zhǎng)的搖籃。本文主要從四個(gè)部分進(jìn)行論述:第一部分,對(duì)油畫(huà)的平面性進(jìn)行相關(guān)的簡(jiǎn)述,闡述平面化的基本概念以及特有特點(diǎn),并且對(duì)西方現(xiàn)代繪畫(huà)的源流和發(fā)展做個(gè)梳理和分析。研究表明,平面化油畫(huà)特征的發(fā)展歷程與西方現(xiàn)代主義繪畫(huà)的發(fā)展史具有一定的一致性。第二部分為本論文的重點(diǎn)部分,主要回顧中國(guó)油畫(huà)的發(fā)展歷程,簡(jiǎn)述中國(guó)當(dāng)代油畫(huà)中平面化傾向出現(xiàn)初期和成熟時(shí)期。通過(guò)研究大量中國(guó)當(dāng)代畫(huà)家的平面性油畫(huà)作品,總結(jié)出中國(guó)現(xiàn)當(dāng)代平面性油畫(huà)的特點(diǎn)以及其獨(dú)具一格的藝術(shù)表現(xiàn)魅力。第三部分著重研究對(duì)中國(guó)當(dāng)代油畫(huà)平面性繪畫(huà)風(fēng)格形成的原因。再?gòu)纳鐣?huì)和時(shí)代的背景下分析中國(guó)平面性的油畫(huà)作品為何受到大眾的喜歡和青睞的原因。最后一部分總結(jié)分析出中國(guó)當(dāng)代油畫(huà)中平面性發(fā)展的意義以及存在的問(wèn)題。
[Abstract]:Nowadays, with the development of the flat oil painting, and with its peculiar expression and unique visual effect, it attracts the attention of a large number of oil painting enthusiasts. More and more audience begin to pay attention to and love this kind of oil painting. Therefore, the flat oil painting has gradually become the new favorite of the oil painting field. With the continuous progress and development of oil painting planarization, more and more oil painting creators are constantly pursuing new ideas on the basis of absorbing Western realism, subjectively weakening the light and dark changes of objects on the screen, decent turning points, spatial levels, and so on. By means of abstract deformation and color painting, this paper presents the plane feeling, pure feeling and decoration feeling of the picture, and highlights the features of the two-dimensional space of the work. Throughout the history of the development of Chinese oil painting, we can see that the flat oil painting trend is also constantly growing, this is not the accident of art, there is a certain social and cultural root behind this. The flat oil painting of China is not only influenced by the western traditional oil painting creation thought and the world art development pattern, but also the traditional Chinese painting art creation technique promotes the plane oil painting creation thought in the latent influence. The aesthetic characteristics and mode of thinking formed by the Chinese since ancient times have unconsciously become the cradle of the rapid growth of contemporary Chinese oil paintings. This article mainly from four parts to discuss: the first part, the oil painting planarity carries on the related brief introduction, elaborated the plane basic concept and the unique characteristic, and made the combing and the analysis to the western modern painting source and the development. The research shows that the development process of flat oil painting is consistent with the history of western modernism painting. The second part is the key part of this paper, mainly reviews the development process of Chinese oil painting, and briefly describes the initial and mature period of flatness tendency in contemporary Chinese oil painting. By studying a large number of Chinese contemporary painters' planar oil paintings, this paper summarizes the characteristics of Chinese modern and contemporary planar oil paintings and their unique artistic expression charm. The third part focuses on the formation of contemporary Chinese oil painting style. From the background of the society and the times, the reason why Chinese oil painting is popular is analyzed. The last part summarizes and analyzes the significance and problems of the development of Chinese contemporary oil painting.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J213
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本文編號(hào)：2007448