發(fā)布時(shí)間：2018-06-10 20:02

  本文選題：傳統(tǒng) + 漢代漆器��； 參考：《南京師范大學(xué)》2005年碩士論文

【摘要】：漢代是漆藝歷史上繼戰(zhàn)國之后的又一輝煌時(shí)期,是中國漆器工藝的黃金時(shí)代。它在中國工藝美術(shù)史上有著重要地位,甚至被稱為漆器時(shí)代。漢代漆器不僅生產(chǎn)規(guī)模大,產(chǎn)量多,在生產(chǎn)技術(shù)上也有很高的水平。 如同商周的青銅器、明清瓷器一樣,漆器作為漢代重要的文化載體,其工藝水平居各類手工業(yè)之首,并且在貴族的日常生活中使用極為普遍。漢代的建筑、婚葬、日常生活中,隨處可見漆器的出現(xiàn)。使用方便、輕巧華麗的漢代漆器逐漸代替了笨重的青銅器,走進(jìn)了人們的生活。這也是由當(dāng)時(shí)政治、經(jīng)濟(jì)及生產(chǎn)技術(shù)的發(fā)展所決定的。 漢代的科技的發(fā)展使?jié)h代漆工藝有了很大的發(fā)展。漢代漆器的裝飾手法除了沿用戰(zhàn)國時(shí)期的描繪和針刻等工藝外,還流行有堆漆、鑲嵌、玳瑁、金箔貼花等十幾種技術(shù),對(duì)后來各個(gè)朝代漆工藝的發(fā)展有著深遠(yuǎn)的影響。漢代傳統(tǒng)的漆工藝是我們寶貴的文化遺產(chǎn)。 中國傳統(tǒng)漆藝經(jīng)歷了七千余年的演變,已形成一套完整的體系,并為現(xiàn)代漆藝提供了豐富而重要的物質(zhì)基礎(chǔ)和文化積淀。對(duì)傳統(tǒng)漆藝的借鑒,是創(chuàng)造和發(fā)展中國漆藝的基礎(chǔ)。 傳統(tǒng)的漆器裝飾工藝是我們民族寶貴的文化財(cái)富,繼承和發(fā)揚(yáng)它的精髓必將是一件有意義的事。漆藝作為一種具有豐富歷史積淀的藝術(shù)形式,繼承和發(fā)揚(yáng)它的藝術(shù)魅力,為之注入新的時(shí)代精神,成為每個(gè)有歷史責(zé)任感的藝術(shù)家的心愿。對(duì)于珍貴的文化遺產(chǎn)我們應(yīng)該抱著敬畏的態(tài)度去研究它、愛護(hù)它,把漆的藝術(shù)繼續(xù)傳承下去,美化我們的生活,傳載我們的文化。
[Abstract]:Han Dynasty was another glorious period after the warring States period in lacquer art history and the golden age of Chinese lacquer craft. It has an important position in the history of Chinese arts and crafts, even known as the lacquer age. The lacquer ware of Han Dynasty not only produced large scale and output, but also had a high level of production technology. Like bronze ware in Shang and Zhou dynasties and porcelain in Ming and Qing dynasties, lacquer ware, as an important cultural carrier of Han Dynasty, ranked first in all kinds of handicraft industry. And in the aristocratic daily life, the use is extremely common. Han Dynasty architecture, marriage and burial, daily life, can be seen everywhere lacquer ware. Easy to use, light and gorgeous Han Dynasty lacquer ware gradually replaced the bulky bronze ware, into people's lives. This was also determined by the development of politics, economy and production technology at that time. The decorative techniques of lacquer ware in the Han Dynasty, in addition to the painting and needle engraving techniques of the warring States period, are also popular with a dozen kinds of techniques, such as pile lacquer, mosaic, hawksbill shell, gold foil decals, etc., which have a profound influence on the development of lacquer technology in the later dynasties. The traditional lacquer technology of Han Dynasty is our precious cultural heritage. Chinese traditional lacquer art has undergone more than 7,000 years of evolution, has formed a complete system, and has provided a rich and important material basis and cultural accumulation for modern lacquer art. The reference to the traditional lacquer art is the basis for the creation and development of Chinese lacquer art. The traditional lacquer decoration technology is the precious cultural wealth of our nation, and it must be a meaningful thing to inherit and develop its essence. Lacquer art, as an art form with rich historical accumulation, inherits and develops its artistic charm, infuses it with the new spirit of the times, and becomes the wish of every artist with historical responsibility. We should study the precious cultural heritage with awe, cherish it, carry on the art of lacquer, beautify our life and transmit our culture.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類號(hào)】：J527

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本文編號(hào)：2004425