本文選題：音樂翻譯 + 語言學(xué)-翻譯學(xué)��； 參考：《星海音樂學(xué)院學(xué)報(bào)》2011年02期

【摘要】：文章以漫議的形式,就音樂翻譯專業(yè)現(xiàn)存的一些問題提出了作者的看法與建議,涉及音樂翻譯的學(xué)科歸屬與性質(zhì),誰來翻譯,音樂翻譯人才所需要的從業(yè)素質(zhì)與培養(yǎng),翻譯的內(nèi)容,以及與音樂學(xué)的關(guān)系等。作者認(rèn)為音樂翻譯應(yīng)該強(qiáng)調(diào)其語言學(xué)的性質(zhì),即加強(qiáng)對(duì)語言文字的駕馭能力,提高人才培養(yǎng)的語言起點(diǎn);并提出翻譯也是一種文化與思維/語境的轉(zhuǎn)換技藝;同時(shí)就音樂翻譯人員稀缺的現(xiàn)狀,提出首先要翻譯"經(jīng)典之經(jīng)典"和"前言之前沿",并認(rèn)為翻譯"前沿"對(duì)于創(chuàng)造中國(guó)音樂學(xué)學(xué)術(shù)本土化和中國(guó)經(jīng)驗(yàn)具有重要的參考價(jià)值。
[Abstract]:In the form of a casual discussion, this paper puts forward the author's views and suggestions on some existing problems in music translation, including the subject ownership and nature of music translation, who will translate, and the quality and training of music translation talents. The content of translation, and the relationship with musicology, etc. The author holds that music translation should emphasize the linguistic nature of music translation, that is, to strengthen the ability of controlling language and writing, and to improve the language starting point of talent training, and to put forward that translation is also a skill of culture and thinking / context transformation. At the same time, according to the present situation of the scarcity of music translators, it is suggested that the translation of "classic classics" and "the frontier of preface" should be translated first, and that the "frontier" of translation has important reference value for the creation of Chinese musicology academic localization and Chinese experience.
【作者單位】： 上海音樂學(xué)院;
【分類號(hào)】：J60-05;H059

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