發(fā)布時(shí)間：2018-04-30 02:31

  本文選題：顫音 + 中國(guó)聲樂　； 參考：《云南藝術(shù)學(xué)院》2014年碩士論文

【摘要】：中國(guó)聲樂藝術(shù)是中國(guó)傳統(tǒng)藝術(shù)文化寶庫中的藝術(shù)珍寶，也為中國(guó)現(xiàn)代音樂藝術(shù)文化的發(fā)展奠定了堅(jiān)實(shí)的基礎(chǔ)。而“顫音”作為聲樂演唱中特有的技術(shù)形態(tài),它是表現(xiàn)聲樂作品中豐富情感的重要技巧之一,它能夠?qū)β晿费莩�的完美詮釋起到錦上添花的效果。本文以此為背景，研究了中國(guó)式顫音的定義、技巧方法發(fā)展及其不同的表現(xiàn)特點(diǎn)。從聲樂理論和歌唱實(shí)踐相結(jié)合的角度進(jìn)行文化的思考,分析顫音在不同作品表演中的作用,以及演唱時(shí)需要掌握的藝術(shù)說明，此外，還對(duì)中國(guó)傳統(tǒng)聲樂藝術(shù)演唱中“顫音”技巧的使用以及中國(guó)傳統(tǒng)藝術(shù)的文化美學(xué)做了概括性研究。本文首先解釋了“顫音”這一音樂技術(shù)形態(tài)的概念，然后又對(duì)中國(guó)傳統(tǒng)聲樂藝術(shù)的概念進(jìn)行了相關(guān)陳述，從曲藝京韻大鼓《丑末寅初》和戲劇京劇《沙家浜》選段以及與根據(jù)中國(guó)戲曲音樂改編創(chuàng)作的新作品如《故鄉(xiāng)是北京》等分析了顫音在不同人物不同情景運(yùn)用的方式，最后通過對(duì)中國(guó)式顫音的藝術(shù)加之技術(shù)的分析，解讀中國(guó)聲樂藝術(shù)美學(xué)的神韻之源頭。希望通過本文研究使得更多的人對(duì)中國(guó)式顫音即中國(guó)聲樂藝術(shù)有更多更理性的認(rèn)識(shí)，，以便更好的發(fā)揚(yáng)并掌握表現(xiàn)中華傳統(tǒng)文化特有的技術(shù)技巧和其中的文化內(nèi)涵。
[Abstract]:Chinese vocal music art is an art treasure in the treasure house of Chinese traditional art and culture, and it also lays a solid foundation for the development of Chinese modern music art culture. As a special technical form in vocal singing, tremolo is one of the most important techniques to express the rich emotion in vocal music works, and it can make the perfect interpretation of vocal music more beautiful. Based on this background, this paper studies the definition of Chinese tremolo, the development of techniques and its different characteristics. From the angle of combining vocal music theory with singing practice, this paper analyzes the role of vibrato in the performance of different works, as well as the artistic explanation to be mastered when singing. It also makes a general study on the use of the "vibrato" technique in the singing of Chinese traditional vocal music and the cultural aesthetics of Chinese traditional art. This paper first explains the concept of "vibrato" as a form of music technology, and then states the concept of traditional Chinese vocal music art. This paper analyzes the application of vibrato in different situations of different characters from the selected passages of Quyi and Beijing Opera, as well as the new works based on Chinese opera music, such as "hometown is Beijing", etc. Finally, through the analysis of the art and technology of Chinese vibrato, the origin of the artistic aesthetics of Chinese vocal music is explained. Through this study, I hope that more people will have more and more rational understanding of Chinese vibrato, that is, Chinese vocal music art, in order to better carry forward and master the unique technical skills and cultural connotations of Chinese traditional culture.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J616

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本文編號(hào)：1822692