本文關(guān)鍵詞：遼寧與山東民間喪葬儀式音樂比較研究　出處：《沈陽(yáng)音樂學(xué)院》2014年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 葬禮 歷史淵源 鼓樂 分析

【摘要】：文化的交流推動(dòng)著人類社會(huì)的進(jìn)步，豐富和發(fā)展了本民族和國(guó)家原有的文化內(nèi)涵，提升了整個(gè)民族的文化品格和精神境界。山東與遼寧自古歷史淵源深厚，從中華文明伊始之時(shí)劃分于區(qū)域管轄到近代關(guān)內(nèi)人民的“闖關(guān)東”，歷經(jīng)數(shù)千年里而兩地交流從未間斷。 本文將從遼寧與山東喪葬儀式音樂入手，對(duì)兩地的歷史文化淵源、喪葬儀式過(guò)程及用樂、鼓樂形態(tài)分析等方面加以分析總結(jié)。從歷史角度、流派劃分、演奏風(fēng)格和樂器樂曲的使用等方面，對(duì)山東和遼寧的鼓吹樂做出比較與研究。 山東與遼寧的喪葬音樂文化是兩地在長(zhǎng)期交流過(guò)程中下形成的傳統(tǒng)習(xí)俗之一，它具有厚重的傳統(tǒng)歷史沉淀。鼓吹樂作為喪葬儀式音樂的主體，歷來(lái)受到高度關(guān)注。山東與遼寧的鼓吹樂作為全國(guó)鼓吹樂中重要的一分支，在歷史發(fā)展過(guò)程中，由于人口遷移和文化的交流，兩地的鼓吹樂也隨之發(fā)生了變化，它們既有相似又有區(qū)別。關(guān)于遼寧和山東兩地喪葬儀式音樂的研究，自上世紀(jì)中葉就已經(jīng)展開。各類的關(guān)于喪葬儀式音樂、鼓吹樂的文獻(xiàn)與研究成果層出不窮、碩果累累。隨著研究的不斷深入，很多有關(guān)于遼寧與山東鼓樂聯(lián)系與區(qū)別的問題也被不斷提出。 本文力爭(zhēng)通過(guò)實(shí)地考察與文獻(xiàn)查閱相結(jié)合的方法，比較遼寧與山東兩個(gè)地區(qū)在人文狀況、喪葬儀式和喪樂應(yīng)用等方面的異同，發(fā)現(xiàn)在歷史演變過(guò)程中，山東與遼寧在喪葬儀式音樂的關(guān)系，對(duì)研究山東與遼寧喪葬儀式音樂的發(fā)展及應(yīng)用都有重要價(jià)值。 本文第一章敘述了山東與遼寧的歷史淵源，列舉歷史上山東與遼寧之間比較大的遷移，對(duì)遼寧的地域文化產(chǎn)生的影響，并陳述山東與遼寧在歷史文化和民俗關(guān)系等方面的聯(lián)系；第二章通過(guò)總結(jié)遼寧與山東葬禮儀式過(guò)程，，對(duì)比其異同點(diǎn)，并從歷史與文化層面分析這些儀式產(chǎn)生的原因；第三章和第四章是本文的重點(diǎn)章節(jié)，第三章，比較細(xì)致的描述遼寧與山東喪葬儀式過(guò)程的主要用樂，通過(guò)分析兩地各個(gè)儀式環(huán)節(jié)中的用樂情況，分析相似性和差異性，通過(guò)研究?jī)x式中鼓樂的應(yīng)用，總結(jié)音樂在儀式中的功能；第四章主要分析遼寧與山東喪葬儀式音樂的具體形態(tài)特征，并研究其形態(tài)特征下，兩地風(fēng)格形成的原因，得出兩地在歷史演變過(guò)程中，喪葬儀式音樂是趨同還是背離，從文化形態(tài)上分析其產(chǎn)生的根源。
[Abstract]:Cultural exchange promotes the progress of human society, enriches and develops the original cultural connotation of the nation and country, and promotes the cultural character and spiritual realm of the whole nation. From the beginning of Chinese civilization, it was divided into regional jurisdiction and modern people's "Chuang Guan Dong", after thousands of years and the exchanges between the two places never stopped. This article will start from Liaoning and Shandong funeral ceremony music, the historical and cultural origin of the two places, funeral ceremony process and use music, drum music form analysis and other aspects. From the historical point of view, school division. In the aspects of playing style and the use of musical instruments, this paper compares and studies the preaching music in Shandong and Liaoning. The funeral music culture between Shandong and Liaoning is one of the traditional customs formed in the process of long-term communication between Shandong and Liaoning. It has a heavy traditional historical precipitation. It advocates music as the main body of funeral ceremony music. Shandong and Liaoning preaching music as an important branch of national advocacy music, in the historical development process, due to population migration and cultural exchanges, the two places of advocacy music has also changed. There are similarities and differences between them. The research on funeral ceremony music between Liaoning and Shandong has been carried out since the middle of 0th century. Various kinds of music about funeral ceremony, advocating music literature and research results emerge one after another. With the deepening of the research, many questions about the relationship and difference between Liaoning and Shandong drum music have been raised. This paper tries to compare the similarities and differences between Liaoning and Shandong in the humanities, funeral ceremony and funeral application through the combination of field investigation and literature review, and find out that in the historical evolution process. The relationship between Shandong and Liaoning funeral ceremony music is of great value to study the development and application of Shandong and Liaoning funeral ceremony music. The first chapter of this paper describes the historical origin of Shandong and Liaoning, enumerates the historical migration between Shandong and Liaoning, and the impact on the regional culture of Liaoning. It also states the relationship between Shandong and Liaoning in the aspects of history, culture and folklore. The second chapter through summing up Liaoning and Shandong funeral ceremony process, compared its similarities and differences, and from the historical and cultural level to analyze the causes of these ceremonies; Chapter three and Chapter 4th are the key chapters of this paper. Chapter three describes the main use of music in the funeral ceremony process of Liaoning and Shandong in detail, and analyzes the situation of using music in each part of the ceremony. By analyzing the similarity and difference, the author summarizes the function of music in ritual by studying the application of drum music in ritual. Chapter 4th mainly analyzes the specific morphological characteristics of funeral ceremony music in Liaoning and Shandong Province, and studies the reasons for the formation of style in the two places under its morphological characteristics, and draws the conclusion that the two places are in the process of historical evolution. Whether the funeral ceremony music converges or deviates, analyzes its origin from the cultural form.
【學(xué)位授予單位】：沈陽(yáng)音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J607

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