擔當?shù)摹昂啞惫P山水畫研究
發(fā)布時間：2018-08-09 17:19
【摘要】：在中國繪畫史上有浙江、八大山人、石溪、石濤四位皆為僧人的畫壇具匠，并且在中國美術(shù)史上獲得了應(yīng)有的榮譽和地位。然而，邢文先生力主的清初畫壇“五僧”之說也頗有道理。因為在清初時期還有一個僧人給我們留下了藝術(shù)珍寶，他就是高遠淡泊、超然灑脫的擔當和尚。邢文先生評論擔當與石溪、石濤的繪畫風格指出：他們?nèi)簧说纳剿俭w現(xiàn)著縱放筆致。擔當，禪心冰骨；石溪，亂頭粗服；石濤，惡墨柔痕。擔當?shù)纳剿洹⒁�，則是無可比擬的。在評論擔當與他們的不同之處時指出：漸江冷而靜，擔當冷而動；八大冷而恨，擔當冷而逸；石溪亂而重，擔當亂而輕；石濤亂而繁，擔當亂而簡。從邢文先生的評論中可以看出擔當大師留給我們的絕不是他個人的遺產(chǎn)，而是整個人類社會的文化遺產(chǎn)，這是需要我們深入研究的。而本文則是從擔當?shù)摹昂啞惫P山水畫方面進行研究和拓展，進而將擔當?shù)囊饩场嬀橙跒橐惑w的藝術(shù)特點和空靈清簡的藝術(shù)風格進行深入研究。 文章主要以擔當“簡”筆山水畫形成的原因、演變，以及對中國繪畫的影響這一脈絡(luò)為主線索。講述擔當生平及其“簡”筆山水畫形成的原因，分析他山水畫中“簡”的運用和體現(xiàn)，對擔當?shù)摹昂啞惫P山水畫這一畫種進行了深入剖析。以及其山水繪畫中的“簡”的藝術(shù)特點及其影響的描述和對我們當代山水畫的意義和啟示等方面進行深入闡述，并揭示了它對當代中國繪畫創(chuàng)作的現(xiàn)實意義。
[Abstract]:In the history of Chinese painting, Zhejiang, eight mountain people, Shixi, Shi Tao are all monks in the world of painting craftsmen, and in the history of Chinese art has gained its due honor and status. However, Xingwen's theory of "five monks" in the early Qing Dynasty is quite reasonable. Because in the early Qing Dynasty there was a monk who left us a treasure of art. He was a aloft, aloft monk. Xingwen comments on Shixi, Shi Tao's painting style: their three monks landscape reflects the vertical pen. Bear, Zen heart ice bone; Shixi, rough head; Shi Tao, evil ink soft marks. The cold of the mountains and rivers, ease, is unparalleled. In commenting on their differences, he points out that the river is cold and quiet, cold and moving; the eight great cold and hate bear cold and easy; the stone stream is messy and heavy, and it is messy and light; the stone waves are chaotic and complex, and bear chaos and simplicity. From the comments of Mr. Xing Wen, we can see that the master of responsibility is not his personal heritage, but the cultural heritage of the whole human society, which needs our in-depth study. And this article is from the "simple" pen landscape painting research and development, and then will play the artistic conception, the artistic features of the integration of the painting and the artistic style of the Qing Dynasty to carry out in-depth research. The main clue of this article is the origin, evolution and influence on Chinese painting. This paper narrates his life and the reasons for the formation of his pen and landscape painting, analyzes on the application and embodiment of "Jane" in his landscape painting, and makes an in-depth analysis of the painting type of "simple" pen and landscape painting. The artistic characteristics and influence of "Jane" in its landscape painting are described, and the significance and enlightenment of our contemporary landscape painting are expounded, and its practical significance to contemporary Chinese painting is revealed.
【學(xué)位授予單位】：聊城大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212
本文編號：2174777
[Abstract]:In the history of Chinese painting, Zhejiang, eight mountain people, Shixi, Shi Tao are all monks in the world of painting craftsmen, and in the history of Chinese art has gained its due honor and status. However, Xingwen's theory of "five monks" in the early Qing Dynasty is quite reasonable. Because in the early Qing Dynasty there was a monk who left us a treasure of art. He was a aloft, aloft monk. Xingwen comments on Shixi, Shi Tao's painting style: their three monks landscape reflects the vertical pen. Bear, Zen heart ice bone; Shixi, rough head; Shi Tao, evil ink soft marks. The cold of the mountains and rivers, ease, is unparalleled. In commenting on their differences, he points out that the river is cold and quiet, cold and moving; the eight great cold and hate bear cold and easy; the stone stream is messy and heavy, and it is messy and light; the stone waves are chaotic and complex, and bear chaos and simplicity. From the comments of Mr. Xing Wen, we can see that the master of responsibility is not his personal heritage, but the cultural heritage of the whole human society, which needs our in-depth study. And this article is from the "simple" pen landscape painting research and development, and then will play the artistic conception, the artistic features of the integration of the painting and the artistic style of the Qing Dynasty to carry out in-depth research. The main clue of this article is the origin, evolution and influence on Chinese painting. This paper narrates his life and the reasons for the formation of his pen and landscape painting, analyzes on the application and embodiment of "Jane" in his landscape painting, and makes an in-depth analysis of the painting type of "simple" pen and landscape painting. The artistic characteristics and influence of "Jane" in its landscape painting are described, and the significance and enlightenment of our contemporary landscape painting are expounded, and its practical significance to contemporary Chinese painting is revealed.
【學(xué)位授予單位】：聊城大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212
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