【摘要】：實驗動畫創(chuàng)作中的象征語言研究是動畫本體的自我需求。象征語言合理的應用在實驗動畫中，會將實驗動畫中簡短而立意深刻的內(nèi)涵信息傳達的更為之形象準確。一部實驗動畫的創(chuàng)作不僅僅是經(jīng)過角色互動、腳本設計等環(huán)節(jié)的協(xié)調(diào)合作，更重要的是能否在有限時間內(nèi)將故事主題中心思想以及作者的個人內(nèi)涵完整表達出來。象征語言的應用會不斷提高創(chuàng)作者的創(chuàng)作理性思維，同時也為他們的理論研究范圍拓展了無限的空間。實驗動畫是在現(xiàn)代高度發(fā)達的物質文明基礎上興起的一種藝術門類。它雖然歷史短暫，是年輕的藝術，，然而發(fā)展速度卻很快。實驗動畫在發(fā)展過程中，還吸收和融匯了相關藝術門類的多種元素，創(chuàng)造出以鏡頭畫面講解和描寫、以聲畫結合、鏡頭組接成為一種新形式的藝術范例。它一經(jīng)問世，變風靡全球，成為一種有影響力的藝術。這種藝術是一種特殊的傳達語言的方式，創(chuàng)造了一種空間與時間、視覺與聽覺、表現(xiàn)與再現(xiàn)并存的藝術風格。 實驗動畫創(chuàng)作中應用的象征語言，屬于人的精神層面的最高神秘領域，而象征語言所存在的領域層面承載地思想是多維的，是從抽象到具體互融地一種文化塑造過程。實驗動畫創(chuàng)作中的象征語言思維原創(chuàng)性和美學思想延續(xù)性探索，會更好的指引觀眾接受這來源于生活的象征體，從中感受實驗動畫作品中的豐富人文內(nèi)涵和獨特意境魅力。
[Abstract]:The study of symbolic language in experimental animation creation is the self-demand of animation ontology. The reasonable application of symbolic language in experimental animation will convey the brief and profound intension information of experimental animation more accurately. The creation of an experimental animation is not only through the role interaction, script design and other links of coordination and cooperation, more important is whether the theme of the story and the author's personal connotation can be fully expressed in a limited time. The application of symbolic language will continuously improve the creative rational thinking of creators, and at the same time expand the infinite space for their theoretical research. Experimental animation is a kind of art category rising on the basis of modern highly developed material civilization. Although it has a short history and is a young art, it develops rapidly. In the course of the development of experimental animation, it also absorbs and merges various elements of relevant art categories, and creates a new form of art model, which is explained and described by lens screen and combined with sound and painting. Once it came out, it became popular all over the world and became an influential art. This art is a special way to convey language, creating a space and time, vision and hearing, expression and reproduction of the coexistence of art style. The symbolic language used in the creation of experimental animation belongs to the highest mysterious field of the spiritual level of human beings, while the thought of the domain level of symbolic language is multidimensional, and it is a cultural shaping process from abstraction to concrete integration. The original thinking of symbolic language and the exploration of continuity of aesthetic thought in the creation of experimental animation will better guide the audience to accept the symbolism from life and experience the rich humanistic connotation and unique artistic conception charm in the experimental animation works.
【學位授予單位】：大連工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J218.7

【參考文獻】

相關期刊論文 前2條

1 潘黎勇;;精英文化在大眾文化時代的生存策略[J];淮北煤炭師范學院學報(哲學社會科學版);2005年05期

2 席田鹿,常虹;關于藝術性動畫片的訪談[J];美苑;2002年02期

本文編號：2172702