【摘要】：經(jīng)歷了數(shù)千年發(fā)展的中國(guó)人物畫(huà)，形成了自身獨(dú)特的審美觀及造型方式，在世界畫(huà)壇上占有舉足輕重的地位。陳洪綬——中國(guó)畫(huà)壇上不可忽視的一位繪畫(huà)巨匠，他一生中創(chuàng)作了數(shù)百件藝術(shù)作品，，巧妙的將中國(guó)繪畫(huà)造型中的夸張性、裝飾性等藝術(shù)規(guī)律應(yīng)用到創(chuàng)作中去，其筆下的人物畫(huà)超凡脫俗，極具古拙美和裝飾美。經(jīng)他巧妙構(gòu)思過(guò)的人物藝術(shù)表現(xiàn)力遠(yuǎn)遠(yuǎn)超越了人物形象的準(zhǔn)確再現(xiàn)，可謂獨(dú)具匠心，開(kāi)啟了人物畫(huà)創(chuàng)作新風(fēng)。陳洪綬的人物畫(huà)作品之所以受到如此高的評(píng)價(jià)，與他把握住了中國(guó)傳統(tǒng)繪畫(huà)造型的精髓意象造型是分不開(kāi)的。 本文在對(duì)中國(guó)人物畫(huà)深入考察的基礎(chǔ)之上，首先引出中國(guó)傳統(tǒng)造型方式對(duì)“意”的追求，從哲學(xué)、文學(xué)、藝術(shù)不同領(lǐng)域?qū)σ庀蟮睦斫庵邪盐找庀蟮木唧w所指，并最終得出意象造型的概念。其次作者從陳洪綬生活背景以及陳洪綬寫(xiě)意性藝術(shù)觀形成的原因，還有對(duì)陳洪綬繡像作品人物造型三方面進(jìn)行分析，總結(jié)陳洪綬是如何將意象造型應(yīng)用到創(chuàng)作中去的。最后為本論文的重點(diǎn)，那就是我們應(yīng)如何將傳統(tǒng)的意象造型應(yīng)用到當(dāng)今美術(shù)創(chuàng)作中去。研究陳洪綬的畫(huà)學(xué)理念和人物造型的方法對(duì)當(dāng)代藝術(shù)創(chuàng)作者有很深的啟示作用，這對(duì)西方繪畫(huà)影響下中國(guó)意象造型觀應(yīng)如何繼承與應(yīng)用顯得尤為重要。透過(guò)現(xiàn)象看本質(zhì)，深入理解中國(guó)繪畫(huà)造型的內(nèi)在精神，正確處理“意”與“象”的關(guān)系，將“意象”繼承并發(fā)揚(yáng)光大，創(chuàng)作出更多極富時(shí)代特征并極具民族性的高水平繪畫(huà)作品。
[Abstract]:After thousands of years of development, Chinese figure painting has formed its own unique aesthetic and styling style, and occupies a pivotal position in the world painting world. Chen Hongshou, a painting magnate who can not be ignored in the Chinese painting world, has created hundreds of works of art in his life, skillfully applying the artistic laws of exaggeration and decoration in Chinese painting modeling to his creation. The figure painting in his works is beyond vulgarity and has the ancient beauty and decorative beauty. The artistic expressiveness of the characters he has cleverly conceived has gone far beyond the exact reproduction of the figures, and it can be said to be ingenious and open up a new style in the creation of figure paintings. The reason why Chen Hongshou's figure painting works are so highly appraised is that he grasps the essence of traditional Chinese painting modeling. Based on the in-depth investigation of Chinese figure painting, this paper first leads to the pursuit of "meaning" in Chinese traditional modeling, and grasps the specific meaning of image in different fields of philosophy, literature and art. Finally, the concept of image modeling is obtained. Secondly, the author from Chen Hongshou life background and Chen Hongshou freehand brushwork art view formation reason, also carries on the analysis to the Chen Hongshou embroidery portrait work character modelling three aspects, summarizes Chen Hongshou how to apply the image modelling to the creation. Finally, the emphasis of this paper is how to apply traditional image modeling to art creation. The study of Chen Hongshou's theory of painting and the method of character modeling has a deep enlightenment to contemporary art creators, which is particularly important for how to inherit and apply the Chinese image modeling under the influence of western painting. Seeing the essence through the phenomenon, deeply understanding the inner spirit of Chinese painting modeling, correctly handling the relationship between "meaning" and "image", inheriting and carrying forward the "image", Create more high-level paintings with the characteristics of the times and nationality.
【學(xué)位授予單位】：海南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J212

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