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淺析中國寫實主義油畫的發(fā)展歷史及影響力

發(fā)布時間:2018-08-06 11:20
【摘要】:藝術(shù)源于生活,生活是藝術(shù)作品的源頭和靈感的發(fā)掘地,但是藝術(shù)又高于生活,藝術(shù)作品是通過生活中提煉,創(chuàng)作出的精華。作為一種藝術(shù)形式,寫實油畫是油畫形成和發(fā)展過程中的重要組成部分,在世界油畫發(fā)展史上占有重要地位。我認為每一幅寫實油畫作品都是對歷史更形象的記錄,或者可以概括的說是一段歷史或者是一個故事等等,所以寫實油畫和歷史有著先天的必然聯(lián)系。從歐洲歷史方面述起,自文藝復(fù)興以來,寫實油畫歷經(jīng)古典主義、浪漫主義、現(xiàn)實主義、印象主義等諸多藝術(shù)派別而經(jīng)久不衰,可以說是歐洲油畫最主要的表達形式。同時寫實油畫在中國近現(xiàn)代美術(shù)史上也占有重要地位。油畫引入中國可以追溯到明清時期,然后又經(jīng)過了辛亥革命、五四運動、抗日戰(zhàn)爭、解放戰(zhàn)爭、“文化大革命”、改革開放直到今天,寫實油畫一直擔當著社會的責任,經(jīng)受著歷史的洗禮?v觀中國寫實油畫的發(fā)展歷程,在不同的時代,寫實油畫都承載了不同的歷史使命。在作品表現(xiàn)上,中國油畫家們堅持以寫實的技法來展現(xiàn)現(xiàn)實題材,用本土化語言,來表現(xiàn)民族精神,使作品具有時代性和中國特色。給寫實油畫造就一個更加開放的、廣闊的、綜合的平臺。本論文由四章組成: 第一章,淺談寫實油畫的發(fā)展歷史。這一章由兩部分組成:第一節(jié)探討寫實油畫在世界的發(fā)展歷史。寫實油畫作為一門古老的畫種,從產(chǎn)生至今已有五百年的歷史了,在油畫的發(fā)展史中,寫實油畫一直扮演著重要的角色。第二節(jié)著重探討寫實油畫在中國的發(fā)展歷史,油畫引入中國可以追溯到明清時期,然后又經(jīng)過了辛亥革命、五四運動、抗日戰(zhàn)爭、解放戰(zhàn)爭、“文化大革命”、改革開放直到今天,寫實油畫一直擔當著社會的責任,經(jīng)受著歷史的洗禮。 第二章,著重分析寫實油畫引入中國并對中國產(chǎn)生深遠的影響力,通過案例淺析中國寫實油畫的藝術(shù)長河。每一段時期都有幾位杰出的人物出現(xiàn)在藝術(shù)的領(lǐng)域里,他們就像星星一樣點亮了整個藝術(shù)空間。此章節(jié)是本文的重點,這一章由四小節(jié)組成。從第一節(jié)到第四節(jié)以時間順序或畫家語言特點為線索,略舉了幾位中國當代寫實油畫家。從本質(zhì)上講,寫實油畫之所以能在中國扎根并被廣大群眾所接受,離不開幾代寫實油畫家們的努力。所以我以每段時期中國優(yōu)秀寫實油畫家為線索,來分析中國寫實油畫的歷史及對各個時期的影響力。 第三章,對我的創(chuàng)作作品《旅途》的闡釋。分別從創(chuàng)作背景、造型方面、以及色彩對比方面、畫面空間效果以及情感的方面做了講解。 第四章,中國當代寫實油畫的最新狀態(tài)和發(fā)展綜述。這一章由兩小節(jié)組成。第一節(jié),寫實油畫發(fā)展前景。第二節(jié),寫實油畫存在的弊端,討論了在當前藝術(shù)多元化的時代,寫實油畫所面臨的各種各樣的問題。
[Abstract]:Art originates from life, and life is the source and inspiration of art works, but art is higher than life. As an art form, realistic oil painting is an important part of the formation and development of oil painting, and plays an important role in the development of oil painting in the world. I think every realistic oil painting is a more vivid record of history, or can be said to be a history or a story and so on, so realistic oil painting and history have a innate relationship. From the aspect of European history, since the Renaissance, realistic oil painting has experienced many artistic schools such as classicism, romanticism, realism, impressionism and so on, which can be said to be the most important expression form of European oil painting. At the same time, realistic oil painting also occupies an important position in the modern art history of China. The introduction of oil painting into China can be traced back to the Ming and Qing dynasties, and then through the Revolution of 1911, the May 4th Movement, the War of Resistance against Japan, the War of Liberation, the "Cultural Revolution." until today, realistic oil paintings have been shouldering social responsibilities. Endure the baptism of history. Throughout the development of realistic oil painting in China, in different times, realistic oil painting has carried different historical missions. In terms of the performance of the works, the Chinese oil painters insist on realistic techniques to show the realistic subject matter, use the native language to express the national spirit, and make the works have the characteristics of the times and Chinese characteristics. To realistic oil painting to create a more open, broad, comprehensive platform. This thesis consists of four chapters: the first chapter, the development history of realistic oil painting. This chapter consists of two parts: the first section discusses the development history of realistic oil painting in the world. As an ancient painting, realistic oil painting has a history of 500 years since it came into being. In the history of oil painting, realistic oil painting has been playing an important role. The second section focuses on the history of the development of realistic oil painting in China. The introduction of oil painting can be traced back to the Ming and Qing dynasties, then through the Revolution of 1911, the May 4th Movement, the War of Resistance against Japan, the War of Liberation, and the "Cultural Revolution". Reform and opening up to today, realistic oil painting has been bearing the social responsibility, withstanding the baptism of history. The second chapter focuses on the introduction of realistic oil painting into China and has a profound influence on China, and analyzes the art of realistic oil painting in China through a case study. At each time, several outstanding figures appeared in the field of art, who lit up the whole art space like stars. This chapter is the focus of this paper, this chapter consists of four sections. From the first section to the fourth section, with the clue of time sequence or painter's language characteristics, several contemporary Chinese realistic oil painters are briefly mentioned. In essence, the reason why realistic oil painting can take root in China and be accepted by the masses can not be separated from the efforts of several generations of realistic oil painters. So I analyze the history and influence of Chinese realistic oil painting in every period. The third chapter, the interpretation of my creative work, Journey. Respectively from the creative background, modeling, and color contrast, screen space effect and emotional aspects of the explanation. The fourth chapter, the Chinese contemporary realistic oil painting's newest state and the development summary. This chapter consists of two sections. The first section, realistic oil painting development prospects. In the second section, the disadvantages of realistic oil painting are discussed.
【學(xué)位授予單位】:遼寧師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J213

【參考文獻】

相關(guān)期刊論文 前4條

1 譚天;;“寫實主義”的中國概念[J];美術(shù)學(xué)報;2006年03期

2 陳燮君;;中國當代寫實油畫的文化演繹[J];中國油畫;2007年01期

3 靳尚誼;;談油畫研修班的教學(xué)[J];中國油畫;2009年03期

4 王沂東;;我和油畫的緣分[J];中國油畫;2009年06期

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