【摘要】：宋代磁州窯繪畫(huà)裝飾藝術(shù)大量運(yùn)用中國(guó)傳統(tǒng)繪畫(huà)技法,把民間喜聞樂(lè)見(jiàn)的生活內(nèi)容作為主要表現(xiàn)題材,以質(zhì)樸、豪放、生動(dòng)的藝術(shù)構(gòu)思和樸素的黑白對(duì)比為表現(xiàn)手段,一定程度上改變了我國(guó)瓷器彩繪裝飾的藝術(shù)面貌,為宋以后釉下彩繪的發(fā)展奠定了基礎(chǔ)。 宋代磁州窯繪畫(huà)裝飾藝術(shù)很早就吸引了專家學(xué)者的注意和研討,本文立足于宋代磁州窯繪畫(huà)裝飾藝術(shù)本身,努力在借鑒前人研究成果的基礎(chǔ)上,系統(tǒng)分析磁州窯裝飾藝術(shù)的繪畫(huà)特征及其傳承發(fā)展脈絡(luò)。對(duì)于磁州窯繪畫(huà)裝飾藝術(shù)的形成原因,本文從工藝條件、文化影響、審美背景等方面進(jìn)行了概括性的總結(jié)；磁州窯繪畫(huà)裝飾藝術(shù)的表現(xiàn)題材和藝術(shù)特色是磁州窯的藝術(shù)生命力和歷史影響力之所在,也是本文的主要論述內(nèi)容,我從宋代磁州窯的畫(huà)面內(nèi)容、工藝特征、構(gòu)圖造型、表現(xiàn)技法以及各種繪畫(huà)形式對(duì)其的影響等各層面進(jìn)行了研究整理,希望能夠從更多的角度分析磁州窯繪畫(huà)裝飾藝術(shù)的個(gè)性特征,肯定其在瓷器發(fā)展史上的重要地位。文章的最后概括總結(jié)了磁州窯裝飾藝術(shù)的廣泛影響,并從理論上簡(jiǎn)單介紹了其藝術(shù)發(fā)展趨勢(shì)的可能方向。 本文力爭(zhēng)能從個(gè)人的認(rèn)識(shí)角度對(duì)宋代磁州窯繪畫(huà)裝飾藝術(shù)進(jìn)行一次較為全面的理論探討,并希望能夠?qū)τ谒未�磁州窯裝飾藝術(shù)研究做出一點(diǎn)貢獻(xiàn)。
[Abstract]:In the Song Dynasty, the decorative art of Cizhou Kiln painting made a great use of Chinese traditional painting techniques, taking the popular life content as the main expression subject, with plain, bold, vivid artistic conception and simple black and white contrast as the means of expression. To some extent, it changed the artistic appearance of Chinese porcelain painting and decoration, and laid a foundation for the development of underglaze painting after Song Dynasty. The painting decoration art of Cizhou Kiln in Song Dynasty attracted the attention and discussion of experts and scholars early on. This paper based on the painting decoration art of Cizhou Kiln in Song Dynasty and tried to draw on the previous research results. Systematic analysis of the decorative art of Cizhou Kiln painting characteristics and inheritance and development of the context. For the reasons for the formation of the decorative art of Cizhou Kiln painting, this paper summarizes the process conditions, cultural influence, aesthetic background and so on. The artistic vitality and historical influence of Cizhou Kiln's artistic vitality and historical influence lies in the expression theme and artistic characteristics of the decorative art of Cizhou Kiln painting, which is also the main content of this article. From the view of the picture content, technological features, composition and modeling of Cizhou Kiln in Song Dynasty, The performance techniques and the influence of various painting forms on it were studied and arranged in the hope of analyzing the personality characteristics of the decorative art of Cizhou Kiln painting from more angles and affirming its important position in the history of porcelain development. At the end of the article, the author summarizes the extensive influence of the decorative art of Cizhou kiln, and introduces the possible trend of its art development in theory. This paper tries to make a more comprehensive theoretical discussion on the decorative art of Cizhou Kiln painting in Song Dynasty from the perspective of personal understanding, and hopes to make a little contribution to the study of decorative Art of Cizhou Kiln in Song Dynasty.
【學(xué)位授予單位】：山東理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J527;J212

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本文編號(hào)：2165659