【摘要】：隨著現(xiàn)代化進(jìn)程的不斷推進(jìn),"現(xiàn)代性"體現(xiàn)在人們生活的方方面面。電視劇作為當(dāng)代大眾消費(fèi)的主要渠道之一,就像一面鏡子,對"現(xiàn)代性"的映射,既有物質(zhì)層面上的,也有精神層面上的。近來,《歡樂頌》作為當(dāng)代都市題材電視劇的杰出代表,以其獨特的美學(xué)風(fēng)格,在凸顯主流價值觀的同時,彰顯了深刻的文化內(nèi)涵,為中國都市題材電視劇的創(chuàng)新發(fā)展做出了有益的探索。
[Abstract]:With the development of modernization, modernity is embodied in every aspect of people's life. As one of the main channels of contemporary mass consumption, TV dramas are like a mirror, which reflects "modernity" on both material and spiritual levels. Recently, Ode to Joy, as an outstanding representative of contemporary urban TV dramas, with its unique aesthetic style, highlights the mainstream values as well as a profound cultural connotation. It has made a beneficial exploration for the innovation and development of Chinese urban TV series.
【作者單位】： 曲阜師范大學(xué)傳媒學(xué)院;
【分類號】：J905
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本文編號：2368414