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韓國非遺音樂的傳承模式研究——以江陵端午祭為例

發(fā)布時(shí)間:2018-03-01 17:40

  本文關(guān)鍵詞: 韓國非遺音樂 江陵端午祭 傳承模式 體制化與慶典化 出處:《南京藝術(shù)學(xué)院學(xué)報(bào)(音樂與表演)》2017年03期  論文類型:期刊論文


【摘要】:江陵端午祭是韓國非遺音樂傳承中的成功典范。自1967年被指定為韓國"重要無形文化財(cái)?shù)?3號"到21世紀(jì)初,江陵端午祭逐步完成了體制化和慶典化轉(zhuǎn)型。通過體制化和慶典化,江陵端午祭不僅實(shí)現(xiàn)了盈利前提下的有效傳承,而且?guī)?dòng)了區(qū)域經(jīng)濟(jì)的發(fā)展。獨(dú)立自主的傳承模式和發(fā)展策略、政府部門的積極參與和大力支持,以及在堅(jiān)守傳統(tǒng)基礎(chǔ)上的適度創(chuàng)新,這些都是江陵端午祭取得成功的重要因素,它們對于我國非遺音樂的傳承和保護(hù)工作同樣具有重要的參考價(jià)值。
[Abstract]:The Dragon Boat Festival Festival in Jiangling is a successful example in the inheritance of Korea's non-posthumous music. From 1967, it was designated as South Korea's "important intangible cultural wealth no. 13" until the beginning of 21th century. The Jiangling Dragon Boat Festival Festival has gradually completed the institutionalization and celebration transformation. Through the institutionalization and celebration, the Jiangling Dragon Boat Festival Festival has not only realized the effective inheritance of the Jiangling Dragon Boat Festival under the premise of profit. And it has led to the development of regional economy, independent inheritance mode and development strategy, the active participation and support of government departments, and moderate innovation on the basis of sticking to tradition. These are important factors for the success of the Dragon Boat Festival Festival in Jiangling, and they also have important reference value for the inheritance and protection of non-posthumous music in China.
【作者單位】: 溫州大學(xué)音樂學(xué)院;
【基金】:2015年度教育部人文社會科學(xué)研究青年基金項(xiàng)目《族群·邊界·認(rèn)同——中韓跨國語境下朝鮮族傳統(tǒng)音樂的變遷與保護(hù)》(項(xiàng)目編號:15YJC760076)的中期研究成果
【分類號】:J607

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