發(fā)布時間：2018-05-29 00:17

  本文選題：馮延巳 + 《陽春集》��； 參考：《山東師范大學(xué)》2017年碩士論文

【摘要】：晚唐五代是詞風(fēng)、詞體轉(zhuǎn)變的關(guān)鍵時期,馮延巳的貢獻不容小覷。一本僅載一百一十首詞的《陽春集》,以其“堂廡特大”“深美閎約”的境界一改花間詞綺麗香艷的詞風(fēng),對后世影響深遠。特殊的歷史背景與人生經(jīng)歷,使得馮延巳在詞史上備受爭議,貶多于褒。本文盡量保持以客觀公允的態(tài)度,主要從三個方面對馮延巳及其《陽春集》進行系統(tǒng)研究,分別是馮延巳及其《陽春集》考辨、馮詞的悲劇美感、馮詞中的抒情新模式以及后代對馮詞的接受,力求通過本文還原出一個真實的、有血有肉的馮延巳形象。首先,馮延巳作為南唐兩朝重臣,史書中對他生平事跡的記載并不缺乏,但幾乎都流露出鮮明的貶抑態(tài)度。第一章重點是綜合特殊的時代背景與馮氏的性格特征,站在現(xiàn)代史觀的立場,客觀地分析辨證馮氏人品。馮詞研究,歷來都存在著對詞作作者的爭議。要深入地研究馮詞,必然需要先辨明這個問題,故本章在第二節(jié)中進行了系統(tǒng)地詞作者考辨。其次,馮詞最突出的藝術(shù)風(fēng)格是具有濃厚的悲劇美感。第二章先是從主客觀兩方面共七個角度,系統(tǒng)地探究馮詞悲劇美感的成因。而后又在此基礎(chǔ)上對馮詞悲劇美感的特點進行評析,主要角度有:郁抑纏綿的悲劇情感世界;“雖九死其猶未悔”的悲劇情感內(nèi)涵;清麗雅致、含蓄婉約的語言風(fēng)格。最后,馮詞在詞曲抒情模式的創(chuàng)新,對后世的影響不可謂不深遠。馮延巳在詞中首次引入比興寄托手法、模糊抒情主體的性別、通過對立統(tǒng)一強化復(fù)雜矛盾的情感張力,在幽微深隱而又朦朧優(yōu)雅的筆觸中寄托憂世與憂生情懷,感情真摯深厚,境界深廣遼闊。在此基礎(chǔ)上,最后一章重點是沿著時間的脈絡(luò),按照后代對馮氏及馮詞的接受程度劃分了三個時期:北宋、南宋至明代、清代及之后,以便深入系統(tǒng)地展開研究。整體來說,在這個學(xué)術(shù)思想自由開放的時代,對馮氏及其詞的接受日漸多元化、全面化。只有結(jié)合個人所處的綜合環(huán)境去設(shè)身處地地看待一位歷史人物時,才能得到較為客觀公允的結(jié)論。本文也正是秉承這樣一種學(xué)術(shù)態(tài)度去研究馮延巳及其《陽春集》,以期呈現(xiàn)出一位完整的真實的馮延巳。
[Abstract]:The late Tang and five dynasties were the key period of ci style transformation, and Feng Yansi's contribution could not be underestimated. "Yangchun Collection", which contains only 110 words, has a profound influence on future generations by changing the style of ci from "Tang veranda" to "Shen Mei Hong Covenant". Due to his special historical background and life experience, Feng Yansi is controversial in the history of ci. This paper tries to maintain an objective and fair attitude, mainly from three aspects of Feng Yansi and its "Yangchun Collection" systematic study, respectively, Feng Yansi and its "Yangchun Collection" textual research, Feng ci's tragic aesthetic sense, The new mode of expressing emotion in Feng ci and the acceptance of Feng ci by future generations strive to restore a real, flesh and blood Feng Yansi image through this article. First of all, Feng Yansi, as an important official in the Southern Tang Dynasty, is not short of records of his life and deeds in the history books, but almost all show a distinct demeaning attitude. The first chapter focuses on synthesizing the special background of the times and Feng's character, standing on the standpoint of modern historical view, objectively analyzing Feng's personality. In the study of Feng ci, there has always been a controversy about the authors of ci poems. In order to study Feng ci in depth, it is necessary to identify this problem first, so this chapter makes a systematic textual research on the author of the word in the second section. Secondly, Feng ci's most outstanding artistic style is a strong sense of tragic beauty. The second chapter first explores the causes of Feng ci's tragic aesthetic feeling from seven angles of subjective and objective. Then, on this basis, the characteristics of Feng ci's tragic aesthetic sense are analyzed, mainly from the following aspects: the melancholy and lingering tragic emotional world; the tragic emotional connotation of "even though nine died"; the elegant and subtle language style. Finally, the innovation of Feng ci's lyric mode has a profound influence on later generations. For the first time, Feng Yansi introduced Bi Xing sustenance in his ci to obscure the gender of the lyric subject, to strengthen the emotional tension of complex contradictions through unity of opposites, to express his concern for the world and worry about the world in his subtle and elegant brush strokes, and to express his sincere and profound feelings. The realm is wide and vast. On this basis, the last chapter is divided into three periods according to the acceptance degree of Feng Shi and Feng ci according to the history of time: northern Song, Southern Song to Ming Dynasty, Qing Dynasty and later, so as to carry out the research deeply and systematically. On the whole, in this era of free and open academic thought, the acceptance of Feng and his ci is becoming more and more diverse and comprehensive. An objective and fair conclusion can be obtained only when a historical figure is placed in a comprehensive environment. This paper is to study Feng Yansi and his Collection of Yangchun with such an academic attitude in order to present a complete and true Feng Yansi.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.23

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本文編號：1948752