發(fā)布時(shí)間：2018-05-28 03:11

  本文選題：韓東 + 小說(shuō)　； 參考：《廣西師范大學(xué)》2016年碩士論文

【摘要】：曾經(jīng)通過(guò)對(duì)“大雁塔”的重新書寫表達(dá)了強(qiáng)烈反叛色彩的韓東,再一次憑借其獨(dú)具個(gè)人化風(fēng)格的書寫在小說(shuō)寫作中展現(xiàn)了巨大的創(chuàng)作潛力,在詩(shī)歌與小說(shuō)間實(shí)現(xiàn)了“交叉跑動(dòng)”。韓東的小說(shuō)創(chuàng)作,無(wú)論是對(duì)于“文革”的記憶與書寫,還是對(duì)于城市“游蕩者”精神與行為的探詢都具有很強(qiáng)的“個(gè)人性”,形成了語(yǔ)言與體驗(yàn)高度契合的語(yǔ)感表達(dá)。在韓東的小說(shuō)中,重復(fù)是一種十分重要的現(xiàn)象。通過(guò)文本細(xì)讀可以發(fā)現(xiàn),韓東的小說(shuō),不論是一部作品中的語(yǔ)詞還是不同作品中的事件、情節(jié)、主題等方面都呈現(xiàn)出不同程度的重復(fù)。然而韓東自九十年代初進(jìn)入小說(shuō)領(lǐng)域以來(lái),學(xué)界對(duì)其小說(shuō)的研究主要側(cè)重于對(duì)具體作品的解讀與分析,對(duì)小說(shuō)敘事視角與敘事方式的分析,以及探究蘊(yùn)含在其小說(shuō)中的先鋒意識(shí)的表達(dá)方面,而對(duì)其小說(shuō)中的重復(fù)現(xiàn)象有所忽視。因此,分析韓東小說(shuō)中的重復(fù)現(xiàn)象,是進(jìn)入韓東小說(shuō)文本世界的有效方式。論文以重復(fù)為關(guān)鍵詞,通過(guò)分析重復(fù)在韓東小說(shuō)中的多種活動(dòng)方式,進(jìn)而對(duì)重復(fù)如何在其小說(shuō)中產(chǎn)生意義進(jìn)行探討,最后,結(jié)合作家的自身體驗(yàn)與創(chuàng)作觀念探究其小說(shuō)何以會(huì)產(chǎn)生重復(fù)現(xiàn)象的內(nèi)在原因。論文正文部分共分為三章：第一章從韓東小說(shuō)重復(fù)現(xiàn)象的表層入手,分析在其小說(shuō)中重復(fù)的活動(dòng)方式。通過(guò)對(duì)具體文本的揣摩探析韓東小說(shuō)的重復(fù)以何種活動(dòng)方式將“柏拉圖式的重復(fù)”與“尼采式的重復(fù)”這兩種重復(fù)類型扭合在一起,形成一種差異裂縫中的相似。第二章從重復(fù)的表層過(guò)渡到重復(fù)方的意義空間,考察韓東如何以重復(fù)的外殼不斷對(duì)生活與寫作的可能性進(jìn)行深入探尋。韓東在看似重復(fù)的書寫中表現(xiàn)了強(qiáng)烈的反諷效果與祛魅力量,實(shí)現(xiàn)了對(duì)“文革”歷史的另類表達(dá)。同時(shí),作家以重復(fù)的并置直入事物的真諦與本質(zhì),道出了對(duì)卑微生命同情的理解。在寫作層面上,韓東更是展現(xiàn)了小說(shuō)人物的個(gè)人記憶重復(fù)出現(xiàn)在美學(xué)上表現(xiàn)出的特別的文本意蘊(yùn)。第三章從韓東真切的生命體驗(yàn)以及其小說(shuō)創(chuàng)作觀念的自覺(jué)選擇來(lái)探討小說(shuō)中重復(fù)現(xiàn)象的深層動(dòng)因。揭示重復(fù)現(xiàn)象的出現(xiàn)在其小說(shuō)中既是一種無(wú)為也是一種刻意的復(fù)雜性。
[Abstract]:Han Dong, who once expressed a strong rebellious color through rewriting the Big Wild Goose Pagoda, once again showed great creative potential in novel writing by virtue of his unique personal style of writing. In poetry and novel between the realization of "cross run". Han Dong's novel creation, whether for the memory and writing of the Cultural Revolution, or for the exploration of the spirit and behavior of the city's "wandering", has a strong "individual nature", which forms a language sense of expression that is highly compatible with the experience. Repetition is a very important phenomenon in Han Dong's novels. Through careful reading of the text, it can be found that Han Dong's novels, whether they are words in one work or events, plots and themes in different works, all show different degrees of repetition. However, since Han Dong entered the field of fiction in the early 1990s, the academic research on his novels has mainly focused on the interpretation and analysis of the specific works, and the analysis of the narrative angle of view and the way of narration of the novel. And explore the expression of avant-garde consciousness contained in his novels, but ignore the repetition in his novels. Therefore, it is an effective way to enter the text world of Han Dong's novels by analyzing the repetition phenomenon in Han Dong's novels. Taking repetition as the key word, this paper discusses how repetition produces meaning in Hendong's novels by analyzing the multiple ways of activity in the novels. Finally, Combined with the writer's own experience and creative ideas, this paper probes into the internal causes of repetition in his novels. The text of the thesis is divided into three chapters: the first chapter starts with the surface layer of Han Dong's novel repetition, and analyzes the way of repetition in his novel. In this paper, the author tries to find out the ways in which the repetition of Han Dong's novels twists the two types of repetition, platonic repetition and Nietzsche repetition, in order to form a similarity in the gap of difference. In the second chapter, from the surface layer of repetition to the meaning space of repeating side, the author studies how Han Dong explores the possibility of life and writing with repeated shell. In his seemingly repeated writing, Han Dong showed a strong ironic effect and dispel charm, and realized the alternative expression of the history of the Cultural Revolution. At the same time, the writer expresses his understanding of humble life sympathy by repeatedly juxtaposing into the true meaning and essence of things. At the writing level, Han Dong shows the special text meaning of the personal memory repetition of the characters in the novel. The third chapter discusses the deep reason of the repetition in the novel from the real life experience of Han Dong and the conscious choice of his novel creation idea. It reveals that repetition is both a kind of inaction and a deliberate complexity in his novels.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.42
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本文編號(hào)：1945004