發(fā)布時(shí)間：2018-05-24 07:19

  本文選題：新時(shí)期小說批評 + 啟蒙主義��； 參考：《內(nèi)蒙古師范大學(xué)》2017年碩士論文

【摘要】：本論文由導(dǎo)論、正文、結(jié)論三個(gè)部分組成。在正文中,對新時(shí)期小說批評中作為評論標(biāo)準(zhǔn)出現(xiàn)的啟蒙主義思想實(shí)際內(nèi)容,分為三個(gè)章節(jié)進(jìn)行了相應(yīng)的論述。新時(shí)期小說批評中體現(xiàn)的啟蒙主義思想是具有時(shí)代特征、富有當(dāng)代特性的審美思想。其中包括人道主義、民族意識及悲劇意識等三個(gè)實(shí)際內(nèi)容。第一章論述了評論家對人道主義觀點(diǎn)。本章由評論家對人道主義的觀點(diǎn)和對人性及人的自然性、社會(huì)性的觀點(diǎn)等兩個(gè)部分組成。其中主要論述了評論家們提出來的關(guān)于人道主義概念的認(rèn)識、平凡人平凡化的世界、原因及實(shí)際環(huán)境、人性、人性的自然性和社會(huì)性內(nèi)涵及聯(lián)系、小說批評當(dāng)中的主要表現(xiàn)、人道主義及其價(jià)值等方面的評論家的觀點(diǎn)等。關(guān)于人道主義論述成為了新時(shí)期小說批評啟蒙主義思想首要內(nèi)容。第二章論述了評論家對民族意識觀點(diǎn)。本章由民族傳統(tǒng)文化和現(xiàn)代意識的評論家觀點(diǎn)及民族意識評論家觀點(diǎn)等兩個(gè)部分組成。主要論述了關(guān)于民族傳統(tǒng)文化和現(xiàn)代意識、民族生存發(fā)展、民族愛(民族團(tuán)結(jié))及民族特點(diǎn)的評論家們的觀點(diǎn)。關(guān)于民族意識啟蒙作用的論述又是一個(gè)新時(shí)期小說評論研究的主題。第三章論述了評論家對于悲劇意識觀點(diǎn)。本章由悲劇產(chǎn)生原因和悲劇意識啟蒙作用等兩個(gè)部分組成。其中論述了評論家們對悲劇產(chǎn)生的主客觀原因及悲劇概念、悲劇性、悲劇意識作用的觀點(diǎn)如何在新時(shí)期小說批評中成為了啟蒙主義思想第三個(gè)結(jié)構(gòu)。
[Abstract]:This paper consists of three parts: introduction, text and conclusion. In the text, the actual content of enlightening thought which appears as the standard of criticism in novel criticism in the new period is divided into three chapters. The enlightenment thought embodied in the novel criticism in the new period is an aesthetic thought with the characteristics of the times and contemporary characteristics. Including humanitarian, national consciousness and tragic awareness of the three actual content. The first chapter discusses the critics' views on humanitarianism. This chapter consists of critics' views on humanitarianism and human nature and sociality. It mainly discusses the cognition of humanitarianism put forward by the critics, the ordinary world, the reason and the actual environment, the natural and social connotation and connection of human nature, and the main expression of the novel criticism. The views of critics on humanitarianism and its value, etc. The humanitarianism discussion has become the primary content of the enlightening thought of novel criticism in the new period. The second chapter discusses the critics' views on national consciousness. This chapter consists of two parts: national traditional culture, modern consciousness and national consciousness. This paper mainly discusses the views of the critics on national traditional culture and modern consciousness, national survival and development, national love (national unity) and national characteristics. The discussion on the enlightenment of national consciousness is also the subject of novel criticism in the new period. The third chapter discusses the critics' view of tragedy consciousness. This chapter consists of two parts: the cause of tragedy and the enlightenment of tragedy consciousness. It discusses how the critics' views on the subjective and objective causes of tragedy and the concept of tragedy, the role of tragedy and tragedy consciousness have become the third structure of enlightening ideology in novel criticism in the new period.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.42
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本文編號：1928185