發(fā)布時(shí)間：2018-05-23 23:03

  本文選題：姚金成 + 底層　； 參考：《河南師范大學(xué)》2017年碩士論文

【摘要】：作為河南戲劇創(chuàng)作的領(lǐng)軍人物,姚金成的戲劇創(chuàng)作在全國(guó)具有較大影響。但對(duì)他的研究尚不充分。他的戲劇中關(guān)于底層人的描寫以及劇作家對(duì)底層的人文關(guān)懷沒(méi)有得到應(yīng)有的重視。姚金成筆下的底層是對(duì)主旋律文學(xué)中的底層進(jìn)一步深化的結(jié)果,他更強(qiáng)調(diào)從生活出發(fā)、從真實(shí)出發(fā)的現(xiàn)實(shí)主義創(chuàng)作理念,就這一點(diǎn)而言,他的底層與當(dāng)下的底層文學(xué)找到了共性。但與底層文學(xué)宣泄苦難、游離體制之外不同的是,他的底層是充滿希望的。這種希望來(lái)自于黨和政府,來(lái)自于底層人物自身自強(qiáng)不息的奮斗精神和善良品性。姚金成的底層主要分為鄉(xiāng)村和城市兩個(gè)世界,在構(gòu)筑鄉(xiāng)村底層世界時(shí),姚金成著力塑造了農(nóng)村的女性形象,描寫了她們?cè)馐艿目嚯y,為家庭做出的犧牲,并歌頌了她們淳樸善良的品性。除此之外,他還注意到了農(nóng)村兒童的教育問(wèn)題,描寫了農(nóng)村孩子上學(xué)的艱辛。在構(gòu)筑城市底層世界時(shí),他主要關(guān)注了農(nóng)民工和下崗工人兩個(gè)群體。通過(guò)描寫農(nóng)民工在城市里的不同遭遇,姚金成歌頌了農(nóng)民工質(zhì)樸勤勞的品質(zhì),也深刻揭示了市場(chǎng)大潮對(duì)農(nóng)民精神的沖擊。在下崗工人身上,姚金成寄托了更多的理想性,描寫和歌頌了自強(qiáng)不息的下崗工人。姚金成的底層書(shū)寫在語(yǔ)言風(fēng)格上可以歸納為基于底層生活語(yǔ)言的通俗性、地域性以及詩(shī)意性的完美結(jié)合;在底層人物描寫上,主要采用立主腦,設(shè)置“一人一事”的敘事框架來(lái)塑造;在戲劇結(jié)構(gòu)上,則采用戲隨人走,重重悉見(jiàn)的手法,力求做到“審虛實(shí)、戒荒唐”。姚金成的底層創(chuàng)作體現(xiàn)出他悲憫的人文關(guān)懷與愛(ài)國(guó)的情感,在他底層作品中展現(xiàn)出來(lái)的時(shí)代精神,體現(xiàn)了他作為當(dāng)代知識(shí)分子對(duì)社會(huì)應(yīng)有的擔(dān)當(dāng)。
[Abstract]:As the leader of Henan drama creation, Yao Jincheng's drama creation has great influence in the whole country. But the study of him is not enough. The description of the underclass in his plays and the playwright's humanistic concern for the bottom have not received due attention. The bottom of Yao Jincheng's works is the result of further deepening the bottom of the main melody literature. He emphasizes the realistic creative idea of starting from life and from reality. In this respect, His bottom-level and present-level literature found commonality. But unlike the underclass literature, his underclass is full of hope, apart from the free system. This hope comes from the Party and the government, from the self-striving spirit and kind character of the bottom-class personages. Yao Jincheng's bottom layer is mainly divided into rural and urban worlds. In constructing the rural bottom world, Yao Jincheng has devoted himself to portraying the image of rural women, describing the suffering they have suffered, and making sacrifices for their families. And eulogize their simple and kind character. In addition, he also noted the education of rural children, describing the difficulties of rural children in school. In building the world at the bottom of the city, he focused on two groups: migrant workers and laid-off workers. By describing the different experiences of migrant workers in the city, Yao Jincheng praised the simple and industrious quality of migrant workers, and also revealed the impact of the market tide on the farmers' spirit. In the laid-off workers, Yao Jincheng entrusted more ideals, describing and eulogizing the laid-off workers. Yao Jincheng's bottom writing can be summed up as the perfect combination of popularity, regionalism and poetry based on the language of the bottom life. The narrative frame of "one person, one thing" is set up to be shaped; in the structure of drama, the drama is followed by others, and the method of knowing and seeing heavily is adopted to try hard to "judge the false reality and refrain from the absurdity". Yao Jincheng's creation at the bottom reflects his compassion for humanity and patriotic feelings, the spirit of the times displayed in his works at the bottom, and his due responsibility to the society as a contemporary intellectual.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.3

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本文編號(hào)：1926734