發(fā)布時間：2018-05-21 15:06

  本文選題：張t@ + 梁維樞��； 參考：《中國文化研究》2017年03期

【摘要】：一、明嘉隆間出現(xiàn)的張t@《還金記》傳奇,是戲曲史最早一部自寫身世的作品。作者作為主角登場,劇中主要人物也都是真名實姓。作者在《自序》中,談到虛構(gòu)和想象在寫實戲創(chuàng)作的作用。認為寫戲需要憑借想象,盡管"頗涉虛偽",然"非此無以勸世"。四百多年前,就有這樣明確的戲劇觀念,是非常難能可貴的。應(yīng)當引起研究者對其人其劇的重視。二、因方疑子《鴛鴦墜》雜劇與《還金記》都涉及真定世家大族梁夢龍家事,且《鴛鴦墜》置于《還金記》后,故諸家著錄都把方疑子當成張t@的別署,誤將兩劇標題為《方疑子二種曲》,本文予以訂正,還其原貌。三、清順治十至十二年間,梁氏后人梁維樞以楷書抄錄兩劇及"家乘補遺",編為十四、十五和十六集,準備收入他所編輯的家乘《真定梁氏直譽集》。因為此書僅殘存一至五、八至十二卷稿本,這個原抄錄本正可補其佚失。
[Abstract]:First, the legend of Zhang t@ the return of gold, which appeared between Ming and long, is the earliest self-written work in the history of opera. As the protagonist, the main characters in the play are all real names. In preface, the author talks about the role of fiction and imagination in the creation of realistic drama. It is believed that writing a play depends on imagination, although it is hypocritical, but it is not an exhortation to the world. More than four hundred years ago, such a clear concept of drama is very commendable. Researchers should pay attention to their plays. Second, because Fang suspect son "mandarin duck fall" and "returning gold" both involve the family affairs of Liang Menglong, a great family of real family, and "mandarin duck fall" is put behind "return gold", all the family records regard Fang suspect son as Zhang t@ 's other department. The title of the two plays is "Fang Shun Zi two kinds of songs", which is revised in this paper and returned to its original appearance. During the ten to twelve years of Shunzhi in Qing Dynasty, Liang Wei-su copied two plays and "Family Liangs Supplement" in regular script, which were compiled into 14, 15, and 16 episodes and were ready to be included in his edited "True Liangshi Zhi Yu Ji". Since there are only one to five, eight to twelve volumes left in this book, the original copy can make up for its loss.
【作者單位】： 北京語言大學;
【分類號】：I207.37
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本文編號：1919716