發(fā)布時(shí)間：2018-06-26 03:14

  本文選題：旅游凝視 + 凝視行為�。� 參考：《沈陽(yáng)師范大學(xué)》2014年碩士論文

【摘要】：隨著攝影文化越來(lái)越活躍，旅游者的攝影行為也越來(lái)越普遍。游客在旅游地舉起相機(jī)拍照，幾乎已成為旅游活動(dòng)中不可缺少的一部分。游客對(duì)旅游地景觀的拍攝行為，不僅僅是一個(gè)動(dòng)作，也是游客對(duì)旅游地關(guān)注和凝視的具體化，是其旅游欲求、旅游動(dòng)機(jī)、旅游行為融合后的結(jié)果，同時(shí)也反映出旅游者對(duì)景觀的閱讀和理解。隨著微時(shí)代的到來(lái)，旅游攝影照片的傳播對(duì)旅游地的發(fā)展起到不可小覷的作用。工業(yè)遺產(chǎn)作為文化遺產(chǎn)中的一個(gè)類型，在近年來(lái)受到越來(lái)越多的人的關(guān)注，旅游者在工業(yè)遺產(chǎn)地的凝視行為在反映出其旅游動(dòng)機(jī)、景觀解讀等的同時(shí)，也對(duì)旅游者自身和工業(yè)遺產(chǎn)地有一定的作用力。 本文在對(duì)旅游凝視、旅游攝影、工業(yè)遺產(chǎn)等相關(guān)研究進(jìn)行梳理后，借鑒旅游凝視理論、符號(hào)學(xué)理論和動(dòng)機(jī)理論等，對(duì)旅游者在工業(yè)遺產(chǎn)地的凝視行為影響因素進(jìn)行分析，并以厄里的凝視理論、劉丹萍對(duì)凝視作用力范式解讀、李義平的旅游體驗(yàn)轉(zhuǎn)換模型，以及Mathieson和Wall的五階段模型等為基礎(chǔ)，建立工業(yè)遺產(chǎn)地旅游者凝視行為模型。本文在分析了沈陽(yáng)工業(yè)遺產(chǎn)旅游的發(fā)展情況后，選取了沈陽(yáng)市中國(guó)工業(yè)博物館、工人村生活館和重型文化廣場(chǎng)這三處典型工業(yè)遺產(chǎn)地為實(shí)證研究的對(duì)象，以問(wèn)卷調(diào)查法為主，并以內(nèi)容分析法和訪談法為輔，分析旅游者在旅游前、旅游中和旅游后的凝視行為，并探究旅游者的凝視行為對(duì)其自身和工業(yè)遺產(chǎn)地的文化作用力。 通過(guò)分析對(duì)旅游者在工業(yè)遺產(chǎn)地凝視行為，筆者得出以下結(jié)論：首先，旅游者主要通過(guò)人際交往、媒體宣傳的方式獲取對(duì)工業(yè)遺產(chǎn)地的前理解，并影響整個(gè)旅游凝視過(guò)程；其次，相對(duì)于場(chǎng)景，旅游者在工業(yè)遺產(chǎn)地更偏好對(duì)景觀的凝視，并注重對(duì)景觀內(nèi)涵的解讀；再次，工業(yè)遺產(chǎn)地旅游者的凝視偏好受遺產(chǎn)價(jià)值因素和攝影動(dòng)機(jī)因素的影響較大；第四，旅游者對(duì)工業(yè)遺產(chǎn)地旅游的滿意度較高，并期待獲得更多參與式的旅游體驗(yàn)；最后，旅游者的凝視行為對(duì)工業(yè)遺產(chǎn)地的發(fā)展具有推進(jìn)作用。本文最后結(jié)合分析得到的結(jié)論，提出推動(dòng)工業(yè)遺產(chǎn)地旅游發(fā)展的相關(guān)建議，包括：拓寬工業(yè)遺產(chǎn)宣傳渠道，塑造旅游形象；強(qiáng)化標(biāo)志性景觀的符號(hào)屬性，引發(fā)旅游動(dòng)機(jī)；突出工業(yè)遺產(chǎn)文化內(nèi)涵，增加景觀可讀性；增加工業(yè)遺產(chǎn)旅游互動(dòng)項(xiàng)目，，提升旅游體驗(yàn)；注重工業(yè)遺產(chǎn)地導(dǎo)游解說(shuō)，增加社區(qū)居民參與度。
[Abstract]:As photography culture becomes more and more active, tourists' photographic behavior is becoming more and more common. It has almost become an indispensable part of tourism activities for tourists to raise their cameras to take photos. The tourist's shooting behavior to the tourist destination landscape is not only an action, but also the concretization of the tourist's attention and gaze to the tourist destination. It is the result of the combination of the tourist desire, the tourism motive, the tourism behavior, and so on. It also reflects the tourists' reading and understanding of the landscape. With the arrival of the micro-age, the spread of tourist photographs plays an important role in the development of tourist destination. As a type of cultural heritage, industrial heritage has attracted more and more attention in recent years. The gaze behavior of tourists in industrial heritage sites reflects their tourism motivation, landscape interpretation and so on. Also has certain force to the tourist itself and the industrial heritage place. After combing the related studies of tourism staring, tourism photography, industrial heritage, and using tourism gaze theory, semiotics theory and motivation theory for reference, this paper analyzes the influencing factors of tourists' gaze behavior in industrial heritage sites. Based on Urry's gaze theory, Liu Danping's paradigm interpretation of staring force, Li Yiping's model of tourism experience transformation, and Mathieson and Wall's five-stage model, the author establishes the model of industrial heritage tourists' gaze behavior. After analyzing the development of Shenyang industrial heritage tourism, this paper selects three typical industrial heritage sites, Shenyang China Industrial Museum, Workers' Village Life Museum and Heavy-duty Cultural Square, as the objects of empirical study, mainly by questionnaire survey. With the help of content analysis method and interview method, this paper analyzes the gaze behavior of tourists before, during and after tourism, and probes into the cultural force of tourists' gaze behavior on themselves and industrial heritage sites. By analyzing the behavior of tourists staring at industrial heritage sites, the author draws the following conclusions: firstly, tourists obtain the former understanding of industrial heritage sites through interpersonal communication and media propaganda, and affect the whole process of tourism staring; Secondly, compared with the scene, tourists prefer to gaze at the landscape and pay attention to the interpretation of the connotation of the landscape; thirdly, the gaze preference of the tourists in the industrial heritage is greatly affected by the factors of heritage value and photographic motivation. Fourth, tourists' satisfaction with industrial heritage tourism is high, and they expect to get more participatory tourism experience. Finally, tourists' gaze behavior can promote the development of industrial heritage sites. In the end, the paper puts forward some suggestions to promote the tourism development of industrial heritage areas, including: widening the publicity channels of industrial heritage, shaping the tourism image, strengthening the symbolic attributes of the iconic landscape, causing tourism motivation; Highlight the cultural connotation of industrial heritage, increase the readability of landscape; increase the interactive projects of industrial heritage tourism, enhance the tourism experience; pay attention to the interpretation of industrial heritage site tour guide, increase the participation of community residents.
【學(xué)位授予單位】：沈陽(yáng)師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：F592.7;F427

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本文編號(hào)：2068820