發(fā)布時間：2018-06-24 09:44

  本文選題：通道侗錦 + 非物質(zhì)文化遺產(chǎn)��； 參考：《湖南大學(xué)》2014年碩士論文

【摘要】：在當(dāng)今全球化和現(xiàn)代化背景下，在迎接現(xiàn)代文明所賦予的豐富物質(zhì)成果時，很多珍稀的少數(shù)民族傳統(tǒng)文化和手工藝正在逐漸消失殆盡。傳統(tǒng)手工藝的價值和精髓本身就存在于生產(chǎn)創(chuàng)造的過程中，因此對于傳統(tǒng)手工技藝這種本身具有生產(chǎn)性的非物質(zhì)文化遺產(chǎn)適宜采取生產(chǎn)性保護(hù)方式，在發(fā)展中保護(hù)傳承，使其存在于不斷變化的社會環(huán)境中。 本文首先闡述文章的研究背景意義以及內(nèi)容方法，并整合國內(nèi)外研究成果，為后續(xù)寫作做鋪墊。然后介紹了生產(chǎn)性保護(hù)的相關(guān)概念，分析非物質(zhì)文化遺產(chǎn)進(jìn)行生產(chǎn)性保護(hù)的必要性，分析總結(jié)了目前生產(chǎn)性保護(hù)的常見策略以及我國非物質(zhì)文化遺產(chǎn)保護(hù)現(xiàn)狀。隨后將研究范圍具體到湖南省通道縣的侗錦文化藝術(shù)，對侗錦文化的生態(tài)文化進(jìn)行研究，研究侗錦文化的藝術(shù)形態(tài)，通過文獻(xiàn)研究、田野調(diào)查等方法獲得通道侗錦的一手資料，，并進(jìn)行整理分析，對侗錦完整的工藝流程、具體分類、圖案文化內(nèi)涵及相關(guān)文化進(jìn)行研究，加深人們對侗錦價值的認(rèn)識，建立侗錦文化形象，擴大影響，為侗錦活態(tài)保護(hù)打好堅實基礎(chǔ)，并針對湖南通道侗錦文化的具體情況提出合理可行的生產(chǎn)性保護(hù)對策。結(jié)合前面的理論分析和湖南通道侗錦文化研究，在遵從生產(chǎn)性保護(hù)原則的前提下，將理論付諸實踐。最后結(jié)合實際課題，規(guī)劃課題的后續(xù)研究方向和發(fā)展空間，為湖南通道侗錦文化的生產(chǎn)性保護(hù)、傳承、創(chuàng)新發(fā)展提供方法論和借鑒及指導(dǎo)意義。期望該課題的研究對正在進(jìn)行中的侗錦文化的研究、保護(hù)和傳承工作提供資料和學(xué)術(shù)支持，進(jìn)而探索出符合我國國情的非物質(zhì)文化遺產(chǎn)的保護(hù)方式。
[Abstract]:Under the background of globalization and modernization, many rare traditional cultures and handicrafts of ethnic minorities are gradually disappearing in the process of meeting the rich material achievements given by modern civilization. The value and essence of traditional handicraft itself exist in the process of production and creation. Therefore, it is appropriate to adopt the productive way of protection and inheritance in the development of traditional handicraft, which is itself a productive intangible cultural heritage. Make it exist in a changing social environment. This paper first elaborates the research background significance and content method of the article, and integrates the domestic and foreign research results to pave the way for the follow-up writing. Then it introduces the related concepts of productive protection, analyzes the necessity of productive protection of intangible cultural heritage, analyzes and summarizes the common strategies of productive protection and the present situation of intangible cultural heritage protection in China. Subsequently, the scope of the study will be specific to the Dong brocade culture and art in the Tongxian County of Hunan Province, and the ecological culture of the Dong brocade culture will be studied, the art form of the Dong brocade culture will be studied, and the primary data of the Dong brocade will be obtained through literature research, field investigation and other methods. Through sorting out and analyzing the complete technological process, specific classification, pattern culture connotation and related culture of Dong brocade, we can deepen people's understanding of Dong brocade value, establish Dong brocade cultural image and expand its influence. It lays a solid foundation for the protection of Dong brocade, and puts forward reasonable and feasible countermeasures for the productive protection of Dong brocade culture in Hunan. Based on the previous theoretical analysis and the study of Dong brocade culture in Hunan, the theory is put into practice on the premise of the principle of productive protection. Finally, combining with the actual subject, planning the future research direction and development space of the project, providing methodology and reference and guiding significance for the productive protection, inheritance and innovation development of Dong brocade culture in Hunan. It is expected that the research of this subject will provide information and academic support for the ongoing research, protection and inheritance of Dong brocade culture, and then explore the ways to protect the intangible cultural heritage in accordance with the national conditions of our country.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J523

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本文編號：2061101