發(fā)布時間：2018-06-22 16:26

  本文選題：自然元素 + 荷花��； 參考：《浙江理工大學(xué)》2014年碩士論文

【摘要】：當(dāng)今社會，隨著社會經(jīng)濟的高速發(fā)展，人們的物質(zhì)生活層面開始具備極大選擇性的同時也伴隨著工作壓力與日俱增導(dǎo)致精神世界的逐步蕭條。在這種大環(huán)境中，一些以幫助人們調(diào)和情緒、放松心情、舒緩身心的服務(wù)型行業(yè)如瑜伽、水療館等開始蓬勃發(fā)展，同時也催生了仿生設(shè)計學(xué)的熱潮。仿生設(shè)計學(xué)是在仿生學(xué)和設(shè)計學(xué)的基礎(chǔ)上發(fā)展起來的一門新興學(xué)科，主要涉及到生物學(xué)、人機學(xué)、心理學(xué)、傳播學(xué)、材料學(xué)、色彩學(xué)以及美學(xué)等多重學(xué)科，其研究范圍十分廣泛，研究內(nèi)容也極為豐富，大致可分為形態(tài)仿生設(shè)計學(xué)、功能仿生設(shè)計學(xué)、視覺仿生設(shè)計學(xué)以及結(jié)構(gòu)仿生設(shè)計學(xué)四大類型。其中形態(tài)仿生設(shè)計學(xué)是以生物體和自然界物質(zhì)存在的外部形態(tài)及其象征寓意為研究對象，通過相應(yīng)的藝術(shù)處理手法將其應(yīng)用到設(shè)計中去的一種行為。本文從形態(tài)仿生學(xué)的角度出發(fā)，將自然的元素應(yīng)用到設(shè)計中去從而引起消費者的共鳴，也為設(shè)計這一商業(yè)行為增添一種可以引導(dǎo)人們回歸寧靜的人文關(guān)懷。 回歸自然總是能撫平人們焦躁的情緒使之獲得心靈的慰藉，因此即使再挑剔的人對自然的東西也不曾抗拒。自然是無窮盡的，仿生設(shè)計的原型也是無窮盡的，從自然元素中獲取靈感進而運用到設(shè)計中去是現(xiàn)今很多設(shè)計師都在思考的方向。潛心研究自然以便獲取更加豐富的設(shè)計資源與更為清晰的設(shè)計思路已是大勢所趨。自然界的色彩靈感以及動植物的形態(tài)可以很好的運用到家紡產(chǎn)品的設(shè)計實踐中，這樣既能使設(shè)計作品具備更高層次的精神內(nèi)涵，，又能有利于產(chǎn)品獲得消費者的青睞，有助于實現(xiàn)產(chǎn)品消費價值的最大化。 花是自然的使者，荷花以其風(fēng)姿卓越的形態(tài)以及出淤泥而不染的脫俗之美深得佛教的尊崇，同時也符合國人的審美情趣與精神追求。本文選擇荷花作為研究與設(shè)計的對象，一方面是由于荷花從古到今因其花態(tài)、葉態(tài)極為優(yōu)美且不同時節(jié)又能呈現(xiàn)出迥然不同的風(fēng)貌及意境而深受文人墨客的喜愛從而擁有眾多以荷花為題材的繪畫作品，這些作品為論文的研究與設(shè)計提供了大量可靠的素材；另一方面則是因為荷花在中國傳統(tǒng)文化中有著吉祥的寓意，因為“荷”諧音“合”與“和”，所以在很多吉祥圖案中都少不了荷花，荷花也被視為是美麗、純潔及高尚品德的象征，因此以荷花為元素的設(shè)計作品在精神層面上更容易喚起消費人群內(nèi)心深處渴望遠離喧鬧、回歸平和的自然情懷。 本文在對古往今來各大名家的荷畫風(fēng)格以及優(yōu)秀的以荷花為元素的設(shè)計案例進行分析總結(jié)的基礎(chǔ)上結(jié)合現(xiàn)代視覺設(shè)計的處理方法對荷花在不同生長階段的色彩和圖形進行分析與整合，并根據(jù)不同年齡層次的受眾的喜好特征，綜合運用到家紡設(shè)計中去。
[Abstract]:Nowadays, with the rapid development of social economy, people begin to have great selectivity in material life, but also with the increasing pressure of work leading to the gradual depression of the spiritual world. In this environment, some service industries, such as yoga and spa, which help people to reconcile their emotions, relax their mood and ease their hearts and minds, have begun to flourish, and have also given birth to the craze of bionic design. Bionic design is a new discipline developed on the basis of bionics and design. It mainly involves biology, ergonomics, psychology, communication, materials, color and aesthetics. Its research scope is very extensive and the research content is very rich. It can be divided into four types: morphological bionic design, functional bionic design, visual bionic design and structural bionic design. The form bionic design is a kind of behavior which takes the external form and its symbolic meaning of the existence of the organism and the natural material as the research object and applies it to the design through the corresponding artistic treatment. From the angle of morphological bionics, this paper applies natural elements to design to arouse consumers' resonance, and also adds a kind of humanistic concern that can lead people to return to tranquility. A return to nature always soothes people's restlessness, so that even the most critical person has no resistance to what is natural. Nature is endless and the prototype of bionic design is endless. It is the direction of many designers to get inspiration from natural elements and apply it to design. It is a general trend to study nature so as to obtain more abundant design resources and clearer design ideas. The color inspiration of nature and the form of animals and plants can be well applied to the design practice of home textile products, which can not only make the design works have a higher level of spiritual connotation, but also help the products to get the favor of consumers. It helps to maximize the value of product consumption. Flowers are natural messengers. Lotus is respected by Buddhism for its outstanding appearance and the unvulgar beauty of mud. It also accords with the aesthetic taste and spiritual pursuit of Chinese people. In this paper, lotus is chosen as the object of research and design. On the one hand, it is due to its flower form from ancient to present. Leaf is extremely beautiful and different time and can show a very different style and artistic conception, and is deeply loved by the literati, and thus has many painting works with lotus as the subject matter. These works provide a large amount of reliable materials for the research and design of the thesis. On the other hand, the lotus has a auspicious meaning in the traditional Chinese culture, because the "lotus" has a homophonic "harmony" and "harmony". So in many auspicious patterns there is no lack of lotus, and the lotus is also regarded as a symbol of beauty, purity and noble character. Therefore, a design with lotus as an element is more likely to evoke the deep desire of the consumer to stay away from the noise at the spiritual level. Return to the natural feelings of peace. On the basis of analyzing and summing up the painting styles of famous scholars and the excellent design cases with lotus as the element, this paper combines the modern visual design method to analyze the color of lotus in different growing stages. Graphic analysis and integration, And according to different age levels of audience preferences, comprehensive use of home textile design.
【學(xué)位授予單位】：浙江理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J523

【參考文獻】

相關(guān)期刊論文 前2條

1 ;2012/2013法蘭克福家紡展流行趨勢[J];流行色;2012年06期

2 ;2012年1月巴黎國際家飾展趨勢概覽[J];流行色;2012年06期

本文編號：2053425