本文選題：創(chuàng)意　切入點：熊彼得　出處：《文藝爭鳴》2017年12期 　論文類型：期刊論文

【摘要】：正引言從20世紀初,經(jīng)濟學家熊彼得"創(chuàng)新理論"的提出,到霍金斯完成《創(chuàng)意經(jīng)濟》一書為止,經(jīng)過幾十年內(nèi)經(jīng)濟現(xiàn)象的變化以及經(jīng)濟學家們充分的理論研究和市場觀察,"創(chuàng)意產(chǎn)業(yè)"的概念與理論在21世紀初被系統(tǒng)的完善,并很快被當下的經(jīng)濟結(jié)構(gòu)現(xiàn)狀所驗證。"創(chuàng)意產(chǎn)業(yè)、創(chuàng)意經(jīng)濟或譯‘創(chuàng)造性產(chǎn)業(yè)’,是一種在全球化的消費社會背景中發(fā)展起來的,推崇創(chuàng)新,個人創(chuàng)造力、強調(diào)文化藝術(shù)對經(jīng)濟的支持與推動的新型的理念、思潮和經(jīng)
[Abstract]:From the beginning of 20th century, when economist Schumpeter's Theory of Innovation was put forward, until Hawkins finished his book Creative economy, After decades of changes in economic phenomena and full theoretical research and market observation by economists, the concept and theory of "creative industry" was systematically perfected in early 21th century. "Creative industry, creative economy, or creative industry, is a kind of creative industry developed in the context of a globalized consumer society, advocating innovation and individual creativity," he said. New ideas, trends of thought and classics that emphasize the support and promotion of culture and art to the economy
【作者單位】： 廣東財經(jīng)大學人文與傳播學院;
【基金】：廣州市2016年哲學社會科學發(fā)展“十三五”規(guī)劃重點委托課題“北上廣:都市文化背景下的都市文學”(項目編號:2016GZWT12)的階段性研究成果 廣州都市文學與都市文化研究基地資助
【分類號】：G124;H15
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本文編號：1611592