本文選題：陳之佛 + 工藝美術(shù)　； 參考：《南京師范大學(xué)》2015年博士論文

【摘要】：陳之佛作為中國(guó)現(xiàn)代美術(shù)大家之一,在工藝美術(shù)、工筆花鳥(niǎo)畫、藝術(shù)教育等諸多領(lǐng)域成就斐然。本文試圖將陳之佛的藝術(shù)生涯置放于中國(guó)現(xiàn)代藝術(shù)發(fā)展的整體圖景中,結(jié)合二十世紀(jì)“西學(xué)東漸”環(huán)境下的藝術(shù)思潮及建國(guó)之后的時(shí)代背景,對(duì)陳之佛藝術(shù)進(jìn)行研究,環(huán)繞其藝術(shù)生涯,通過(guò)對(duì)他作品本身的觀看和風(fēng)格分析,探討陳之佛藝術(shù)風(fēng)格的形成緣由及特色；同時(shí)揭示他在不同領(lǐng)域取得的藝術(shù)成就對(duì)當(dāng)今中國(guó)美術(shù)發(fā)展的啟示意義。陳之佛早年從事工藝美術(shù)設(shè)計(jì)和教育工作,中年開(kāi)始轉(zhuǎn)向工筆花鳥(niǎo)畫創(chuàng)作。曾經(jīng)留學(xué)日本的經(jīng)歷和長(zhǎng)期從事的工藝美術(shù)實(shí)踐,使陳之佛的工筆花鳥(niǎo)畫創(chuàng)作,帶有異國(guó)藝術(shù)元素和一定的裝飾風(fēng)格,同時(shí)兼具對(duì)傳統(tǒng)的繼承。陳之佛關(guān)于中外繪畫藝術(shù)及圖案設(shè)計(jì)的相關(guān)著述頗豐,能夠以嶄新的美學(xué)視角來(lái)觀照其工藝美術(shù)設(shè)計(jì)和藝術(shù)創(chuàng)作。這些成果不僅促進(jìn)了中國(guó)現(xiàn)代工藝美術(shù)的發(fā)展,也是他革新中國(guó)傳統(tǒng)工筆花鳥(niǎo)的基礎(chǔ)�？梢哉f(shuō),陳之佛是以中國(guó)現(xiàn)代工藝美術(shù)先驅(qū)的身份促進(jìn)花鳥(niǎo)畫變革的特殊人物。他對(duì)外來(lái)藝術(shù)的影響去蕪存菁,引入現(xiàn)代觀念,從審美意趣的角度重新闡釋和發(fā)掘了工筆花鳥(niǎo)畫精華,扭轉(zhuǎn)了近代中國(guó)工筆花鳥(niǎo)畫式微的局面。陳之佛廣求取益的藝術(shù)觀念,拉近了傳統(tǒng)繪畫與現(xiàn)代藝術(shù)的距離,在強(qiáng)調(diào)藝術(shù)民族性和時(shí)代精神的同時(shí),作出了中國(guó)現(xiàn)代工筆花鳥(niǎo)畫中極富特色的創(chuàng)造。這不僅是風(fēng)格意義上的中西融合,更是藝術(shù)創(chuàng)作方法論意義層面的現(xiàn)代轉(zhuǎn)向。陳之佛的成功充分證明,傳統(tǒng)中國(guó)畫完全可以經(jīng)由廣泛汲取外來(lái)藝術(shù)精華,走出固步白封的藩籬,最終實(shí)現(xiàn)面向現(xiàn)代的成功轉(zhuǎn)型。陳之佛豐富的藝術(shù)閱歷,及其多重面向的交游圈,使他親歷和見(jiàn)證了中國(guó)畫變革、藝術(shù)機(jī)制轉(zhuǎn)型等諸多歷史進(jìn)程。通過(guò)陳之佛藝術(shù)的個(gè)案研究,筆者試圖在總結(jié)其創(chuàng)造性成就的基礎(chǔ)之上,從一個(gè)側(cè)面勾勒出二十世紀(jì)中國(guó)美術(shù)現(xiàn)代進(jìn)程的基本面貌。
[Abstract]:As one of Chinese modern art people, Chen Zhifo has made great achievements in arts and crafts, fine brushwork and bird painting, art education and so on. This paper attempts to put Chen Zhi-fo 's art career in the overall picture of the development of modern Chinese art, combining the artistic trend of thought under the environment of "Western learning to the east" in the 20th century and the background of the era after the founding of the people's Republic of China, to study the art of Chen Zhi-fo. Around his artistic career, this paper discusses the causes and characteristics of Chen Zhifo's artistic style through viewing and analyzing his works. At the same time, it reveals the significance of his artistic achievements in different fields to the development of Chinese art today. Chen Zhifo early engaged in arts and crafts design and education, middle-age began to turn to fine-brush flowers and birds painting creation. The experience of studying in Japan and the practice of arts and crafts for a long time make Chen Zhi-fo 's fine brushwork of flower-and-bird painting with exotic artistic elements and a certain decorative style, at the same time, he also inherits the tradition. Chen Zhifo's works on Chinese and foreign painting art and pattern design are abundant, and he can view his arts and crafts design and artistic creation from a new aesthetic angle. These achievements not only promoted the development of modern Chinese arts and crafts, but also the foundation of his innovation of Chinese traditional style flowers and birds. It can be said that Chen Zhifo is a special figure who promoted the change of flower-and-bird painting as a pioneer of modern Chinese arts and crafts. His influence on foreign art, the introduction of modern concepts, from the point of view of aesthetic interest to re-explain and explore the fine brushwork flower-and-bird painting essence, reversing the decline of modern Chinese fine brushwork flower-and-bird painting situation. Chen Zhi-fu 's artistic concept of seeking benefits draws closer the distance between traditional painting and modern art, emphasizes the national character of art and the spirit of the times, and at the same time makes a unique creation in Chinese modern meticulous flower-and-bird painting. This is not only the integration of Chinese and Western style, but also the modern turn of artistic creation methodology. Chen Zhifo's success fully proves that traditional Chinese painting can fully absorb the essence of foreign art, step out of the barrier of white seal, and finally realize the successful transformation oriented to the modern era. Chen Zhifo's rich artistic experience and his multi-facing circle of friendship make him experience and witness many historical processes such as the transformation of Chinese painting and the transformation of art mechanism. Through the case study of Chen Zhifo's art, the author attempts to outline the basic features of the modern process of Chinese art in the 20th century on the basis of summarizing his creative achievements.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2015
【分類號(hào)】：J212
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本文編號(hào)：1951785